Zucca on Seeing Law Feelingly--Humanistic Jurisprudence, Poetic Wisdom, and the Future of Law

Lorenzo Zucca, King's College London, School of Law, has published Seeing Law Feelingly-Humanistic Jurisprudence, Poetic Wisdom, and the Future of Law. Here is the abstract.

Legal philosophy faces an existential crisis. As populism surges, social fractures deepen, and democratic institutions strain under unprecedented pressure, jurisprudence remains paralyzed by what I call the "Barbarism of Reflection"—an excessive rationalism that dissects law while becoming disconnected from its moral and imaginative foundations. Drawing on Giambattista Vico's concept of "poetic wisdom" (sapienza poetica) and Shakespeare's insight that one must "see feelingly," this article proposes Humanistic Jurisprudence as a synthetic framework that transcends the limitations of analytical, critical, and historical approaches to law. Humanistic Jurisprudence operates on three principles: (1) the primacy of creative imagination in shaping legal concepts and institutions; (2) critical reflection on the stories we tell about justice; and (3) genealogical understanding of how power structures have shaped our legal traditions. Rather than privileging analytical clarity as the foundation of legal thought, this approach recognizes that grand visions—born from imaginative engagement with human complexity—precede and inform analysis. The article argues that law's power lies not merely in its logical precision but in its capacity to articulate visions of justice that inspire collective action. Through synthesis of philosophical, literary, and legal historical sources, I demonstrate how jurisprudence can reclaim its poetic dimension without sacrificing intellectual rigor. This transformation is not merely academic: it offers practical frameworks for addressing climate crisis, technological disruption, and the erosion of democratic values—challenges that resist purely analytical solutions. The stakes are clear: either law recovers its imaginative power to shape collective futures, or it risks irrelevance in an age where narrative and myth increasingly determine political reality. Humanistic Jurisprudence provides the theoretical foundation for this recovery, offering legal philosophy a path beyond conceptual puzzles toward engagement with the profound moral and existential questions of our time.

Download the article from SSRN at the link.

Craddock on Civic Friendship in the Postmodern Polis: Law as Mediator in Shakespeare's Merchant of Venice

Joshua J. Craddock, Harvard Law School, Students; James Wilson Institute for Natural Rights and the American Founding, is publishing Civic Friendship in the Postmodern Polis: Law as Mediator in Shakespeare's Merchant of Venice in the Journal of Law & Civil Governance at Texas A&M. Here is the abstract.

In Merchant of Venice, Shakespeare explores whether commercial republicanism can alone sustain civic virtue. Putting Shakespeare into conversation with pillars of American political thought, Merchant of Venice seems to support John Adams’ contention that a republican constitution is “made only for a moral and religious people” and “is wholly inadequate to the government of any other.” Economic liberty as an end unto itself cannot form the basis of a coherent political order and must ultimately erode public-spiritedness. By examining the character of the Venetian regime and the irreconcilable differences between its citizens regarding the nature of the Good, the attentive reader can identify barriers to civic friendship and evaluate whether law can serve as a mediating influence against what Publius calls “faction” in The Federalist. Shakespeare suggests that law’s mediating influence on faction is at best tenuous and follows the Aristotelean belief that civic friendship depends in large part on substantial agreement about first principles. These themes find their echoes in American political thought and remain deeply relevant to the legal and political challenges facing re-publican self-government today.

Download the article from SSRN at the link.

Craddock on Civic Friendship in the Postmodern Polis: Law as Mediator in Shakespeare's Merchant of Venice @joshjcraddock @Harvard_Law

Joshua J. Craddock, Harvard University Law School, James Wilson Institute for Natural Rights and the American Founding, is publishing Civic Friendship in the Postmodern Polis: Law as Mediator in Shakespeare's Merchant of Venice in the Texas A&M Journal of Law & Civil Governance. Here is the abstract.

In Merchant of Venice, Shakespeare explores whether commercial republicanism can alone sustain civic virtue. Putting Shakespeare into conversation with pillars of American political thought, Merchant of Venice seems to support John Adams’ contention that a republican constitution is “made only for a moral and religious people” and “is wholly inadequate to the government of any other.” Economic liberty as an end unto itself cannot form the basis of a coherent political order and must ultimately erode public-spiritedness. By examining the character of the Venetian regime and the irreconcilable differences between its citizens regarding the nature of the Good, the attentive reader can identify barriers to civic friendship and evaluate whether law can serve as a mediating influence against what Publius calls “faction” in The Federalist. Shakespeare suggests that law’s mediating influence on faction is at best tenuous and follows the Aristotelean belief that civic friendship depends in large part on substantial agreement about first principles. These themes find their echoes in American political thought and remain deeply relevant to the legal and political challenges facing re-publican self-government today.

Download the article from SSRN at the link.

Amor on "They Willfully Themselves Exile From Light": Exile in Space, Stage and Metatheatre in William Shakespeare's A Midsummer Night's Dream

Zied Ben Amor, University of Sousse, has published “They willfully themselves exile from light”: Exile in Space, Stage and Metatheatre in William Shakespeare’s A Midsummer Night’s Dream at 1 Theatre Academy 93 (2023). Here is the abstract.

Exile runs throughout William Shakespeare’s A Midsummer Night’s Dream. Transformed characters are exiled from the human world when they change shapes. Others are forced to leave their countries and worlds to enter magical ones. Personalities and feelings shift because of magic. Examining the dichotomy between Athens and the forest and the theatrical transformations shows that exile is geographical, emotional and spatial. Exile is also endowed with a transmigrant dimension. The study of metatheatre in the play corroborates the presence of an exilic dimension. Finally, the application of Nathaniel C. Leonard’s and Robert Weimann’s fundamental notions of platea, locus, meta-platea, and meta-locus in A Midsummer Night’s Dream enables us to reach the finding that the Spectrum of Dramatic Layering hosts exilic manifestations. The research merges semantic investigations with the semiotics of theatre. Dealing with the matter of exile both from the lenses of literary and theatrical studies offers broader perspectives to understand the play’s nuances and complexities.

Download the article from SSRN at the link.

Rose on Property and Literature: the View From Shakespeare's Venice @uarizonalaw @ArsScripta @@ElgarPublishing @Elgar_Law @

Carol M. Rose, University of Arizona College of Law, is publishing Property and Literature: the View From Shakespeare’s Venice in The Elgar Concise Encyclopedia of Law and Literature(Robert Spoo & Simon Stern eds., 2024). Here is the abstract.

This entry explores property issues in The Merchant of Venice, and in particular the Merchant’s posture toward important claims that have been made for property since the Enlightenment: that secure property enhances social wealth, that property protects individual autonomy, and that property permits the projection of personal projects in the world. The conclusion is that Merchant critiques each from the perspective of considerably older views of the role of property in society. The entry also discusses another claim for property and commerce that some have found in Merchant—that property and commerce soften manners and promote cooperation--but concludes that Merchant does not address that claim despite its setting in the then highly commercial city of Venice.

Download the essay from SSRN at the link.

ICYMI: Joseph Jenkins, Inheritance Law and Political Theology in Shakespeare and Milton (Routledge, 2016)

ICYMI:

Joseph Jenkins, Inheritance Law and Political Theology in Shakespeare and Milton (Routledge, 2016).

Reading God's will and a man's Last Will as ideas that reinforce one another, this study shows the relevance of England's early modern crisis, regarding faith in the will of God, to current debates by legal academics on the theory of property and its succession. The increasing power of the dead under law in the US, the UK, and beyond-a concern of recent volumes in law and social sciences-is here addressed through a distinctive approach based on law and humanities. Vividly treating literary and biblical battles of will, the book suggests approaches to legal constitution informed by these dramas and by English legal history. This study investigates correlations between the will of God in Judeo-Christian traditions and the Last Wills of humans, especially dominant males, in cultures where these traditions have developed. It is interdisciplinary, in the sense that it engages with the limits of several fields: it is informed by humanities critical theory, especially Benjaminian historical materialism and Lacanian psychoanalysis, but refrains from detailed theoretical considerations. Dramatic narratives from the Bible, Shakespeare, and Milton are read as suggesting real possibilities for alternative inheritance (i.e., constitutional) regimes. As Jenkins shows, these texts propose ways to alleviate violence, violence both personal and political, through attention to inheritance law.