Can Copyright Be Applied To Street Art and Graffiti? Interdisciplinary Panel, January 30, 5-7 PM, Middlesex University, London @enricobonadio @AislinnOC

CAN COPYRIGHT BE APPLIED TO STREET ART AND GRAFFITI?

JAN 30 5-7PM, CG76, MIDDLESEX UNIVERSITY LONDON

An interdisciplinary panel convened by Susan Hansen and Alberto Duman. It is free and open to the public. Please come along if you'll be in London!

Bookings can be made via Eventbrite: https://copyright-street-art-graffiti.eventbrite.co.uk

This panel marks the launch of the Cambridge Handbook of Copyright in Graffiti and Street Art, edited by Enrico Bonadio (City Law School). Speakers will discuss the legal tools available for street and graffiti artists to object to unauthorized exploitations of their work, and will debate whether, and to what extent, the street art and graffiti subcultures could benefit from copyright and moral rights protection.

PROGRAMME

17.00-17.10 Susan Hansen & Alberto Duman, Middlesex University

17.10-17.20 Enrico Bonadio, The City Law School

17.20-17.30 Pure Evil, London

17.30-17.45 Aislinn O’Connell, Royal Holloway

17.45-18.00 Shane Burke, Cardiff University

18.00-18.15 Paula Westenberger, Brunel University

18.15-18.30 Marc Mimler, Bournemouth University

18.30-19.00 Panel Discussion (Chair: Enrico Bonadio)

For more information, contact s.hansen@mdx.ac.uk

ICYMI: A New Book From Alison Young: Street Art World (Reaktion Books, 2016) @scotinoz

ICYMI: Alison Young has published Street Art World (Reaktion Books, dist. University of Chicago Press, 2016). Here from the publisher/distributor's website is a description of the book's contents.

Street art and graffiti are a familiar sight in all our cities. Giant murals commemorate historical events or proclaim the culture of a neighborhood, while tagged walls can function simultaneously as a claim to territory and a backdrop for an urban fashion shoot. Street Art World examines these divergent forms and functions of street art. This strikingly illustrated book explores every aspect of street art, from those who spray it into being to those who revel in it on Instagram, from its place under highway overpasses to one on the austere walls of high art museums. What exactly is street art? Is it the same as graffiti, or do they have different histories, meanings, and practitioners? Who makes it? Who buys it? Can it be exhibited at all, or does it always have to appear unsanctioned? Talking with artists, collectors, sellers, and buyers, author Alison Young reveals an energetic world of self-made artists who are simultaneously passionate about an authentic form of expression and ambivalent about the prospects of selling it to make a living—even a fabulously good one. Drawing on over twenty years of research, she juxtaposes the rise and fall of art markets against the vibrancy of the street and urban life, providing a rich history and new ways of contextualizing the words and images—some breathtakingly beautiful—that seem to appear overnight in cities around the world. 

Policing the Perps

Jeffrey Ian Ross University of Baltimore School of Law, and Benjamin Wright, University of Baltimore, have published 'I've Got Better Things to Worry About': Police Perceptions of Graffiti and Street Art in a Large Mid-Atlantic City at 17 Police Quarterly 176 (2014). Here is the abstract.

The majority of scholarly research on graffiti and street art has examined this phenomenon in terms of its distribution and the nature of the perpetrators. Rarely has the law enforcement response been investigated. To better understand this neglected aspect, the investigators constructed a survey that they administered to a sample of officers in a large Mid-Atlantic police department to determine their attitudes, in particular their perceptions, regarding graffiti, street art, and perpetrators of this behavior. The survey takes into consideration important police-related variables and situational factors to provide a portrait of officer perceptions. The major finding indicates that the shift and race of police officers might have an influence on their decisions to stop, question, and arrest suspects on graffiti and street art vandalism-related charges. This is consistent with other studies of police perceptions of illegal behavior.

Download the article from SSRN at the link.

Cross-posted at Media Law Prof Blog.