Professor Jose Calvo has published "Cervantismo en Derecho. Panorama de la investigación en España.2004-2013” at 9 Revista de
Educación y Derecho. Education and Law Review 1 (September/March 2013/2014). More about Cervantes and law at Professor Calvo's blog here.
Showing posts with label Cervantes. Show all posts
Showing posts with label Cervantes. Show all posts
April 7, 2014
October 8, 2013
Love As a Contract
Martha M. Ertman, University of Maryland School of Law, has published Love and Contracts in Don Quixote in Don Quixote: Interdisciplinary Connections 251 (Matthew D. Warshawsky and James A. Parr, eds.; Newark, NJ: Juan de la Cuesta, 2013). Here is the abstract.
Viewing love as a contract seems, initially, like mistaking windmills for giants, or a peasant girl for a grand lady. This chapter seeks, like Don Quixote, to convince readers to suspend their practiced views of everyday relationships in order to see them in a new light. What seems crazy at first glance may come to look as good, and sometimes better, than the more conventional view. As a law professor, I usually write about love and contracts by focusing on legal opinions and statutes, and recently I have added real-life stories from books and newspapers, as well as my friends, family, colleagues, and students. But if I am right that love and contracts often complement instead of oppose each other, then my argument that contracts shape the beginning, middle, and demise of love relationships ought to hold true in fiction as well, especially for the jump-off-the-page characters and situations in Don Quixote. Applying this analysis to Don Quixote invites new readings, and may even bring yet more readers to this brilliant text.Download the essay from SSRN at the link.
August 23, 2013
New Publications In Iberian and Hispanic Law and Literature
Newly published in the law and literature area:
Jose Calvo Gonzalez, Derecho y Literatura, ad Usum Scholaris Juventutis (con relato implícito), 34 (66) Seqüência: Estudos Jurídicos e Políticos, 15-45 (2013).
Eddy Chávez Huanta, Don Dimas de la Tijereta: El tinterillo que litigó en el averno, 12 Criterio y Conducta (2013) at pp.313-334.
Amilcar Mendoza, Il postino o la ardiente paciencia de los rectos hombres de leyes, 12 Criterio y Conducta (2013) at pp. 351-361.
André Karam Trindade and Luis Rosenfield, Cervantes, Twain e Lobato: reflexões sobre direito, literatura e censura, Revista de Investigación e Innovación Educativa (June, 2013). Text available here.
More discussion at Professor Gonzalez's excellent blog, Iurisdictio-Lex Malacitana.
Thanks to Professor Calvo for the information about these valuable publications.
Thanks to Professor Calvo for the information about these valuable publications.
November 17, 2011
Don Quixote and Law
From Jose Calvo González, University of Malaga, the announcement of a conference at the Centro de Ciências Jurídicas, Universidade Federal de Santa Catarina (Florianópolis. Brazil), organized by Dr. Luis Carlos Cancellier de Olivo, and as part of the de Pos-Graduação en Direito. The conference, "Seminar on Law and Literature," will take place from November 28 to December 2, 2011. As part of the Conference, Professor Calvo González will give a talk, "Don Quixote and Law." He will also deliver the closing lecture, "Puppetry and Law: Sancho´s Justice and judgements in the puppet opera " VIDA DO GRANDE D. Quixote de la Mancha e do gordo Sancho Pança, by António José da Silva.(1705-1739)."
March 16, 2010
Play Verified As Shakespeare's (And Fletcher's)
According to experts, that "literary hoax" that Alexander Pope made fun of in The Dunciad is a hoax no more. It really is by Shakespeare--well, partly by the Bard, and partly by John Fletcher, who was no slouch himself when it came to writing works for the stage. Double Falsehood, in which Shakespeare actually meets Miguel de Cervantes, the man who shares his death year (1616) and possibly his death date (April 23), depending on how one calculates it, turns out to be a play in which the Bard of Avon had a hand. The Royal Shakespeare Company will perform it in 2011, the first time in four hundred years that audiences have been able to enjoy it.
Labels:
Cervantes,
Shakespeare
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