John Copenhaver discusses similarities between the crime novel and the coming-out novel. He begins by saying,
Among the crime narrative he offers for inspection: Truman Capote's In Cold Blood, Katherine V. Forrest's Apparition Alley, and Patricia Highsmith's The Talented Mr. Ripley.
More here.
The act of coming out is an unveiling. Since queer people live in a straight, cis-gendered dominant culture, we have the burden of proclaiming our sexual orientation or our gender identity. As a narrative, the coming-out story is one we’re familiar with, and one we’ve embraced. Crime stories have a similar structure, which perhaps is why they resonate with queer readers and writers: the tension of withheld secrets, the satisfying snap of the puzzle pieces fitting together, the wonder of the reveal. We’re drawn to a narrative where the unknown becomes known. Where motives are made clear. Where identity is made evident.
Among the crime narrative he offers for inspection: Truman Capote's In Cold Blood, Katherine V. Forrest's Apparition Alley, and Patricia Highsmith's The Talented Mr. Ripley.
More here.
No comments:
Post a Comment