Call for Papers for the
Panel:
Art as Cultural Diplomacy
As part of
7th Euroacademia Forum of Critical Studies: Asking Big Questions Again
23 – 24 November 2018
Nice, Côte d’Azur, France
Deadline for Paper Proposals: 15th of October 2018
Panel Organizer: Cassandra Sciortino, University of California, Santa Barbara
Panel Description
The panel Art as Cultural Diplomacy seeks papers that explore the function of art (in its broadest definition) as an instrument of cultural diplomacy by the state and, especially, by nongovernmental actors. The main theme of the session is the question of art and diplomacy in Europe before and after the fall of the Berlin Wall. This focus however does not limit the thematic universe of papers to be included in the panel to Europe. Papers are welcome which explore issues related to the role of art, diplomacy and the politicization of Europe, as are those which consider how the arts have pursued or resisted East-West dichotomies and other narratives of alterity in Europe and worldwide. The panel seeks to combine a wide range of interdisciplinary perspectives to explore how art -its various practices, history, and theory - are an important area of inquiry in the expanding field of cultural diplomacy. Papers addressing the role of art in consolidating soft power of states are welcome together with contributions addressing the role of art as cultural diplomacy in the context of significant historical political events.
Some examples of topics include
• How can art serve as a neutral platform for exchange to promote dialogue and understanding between foreign states?
• How can art, including organized festivals (i.e. film, art, music.), cultivate transnational identities that undermine political dichotomies and narratives of alterity making in international relations?
• The implications for art as an instrument of diplomacy in a postmodern age where geopolitics and power are increasingly mobilized by image based structures of persuasion.
• How has/can art facilitate cohesion between European Union member states and candidate states that effectively responds to the EU’s efforts to create “unity in diversity.”
• The politics of mapping the world: mental and cartographic
• Community based art as a social practice to engage issues of political identity
• The difference between art as cultural diplomacy and propaganda
• The digital revolution and the emergence of social media as platforms for art to communicate across social, cultural, and national boundaries?
• Diplomacy in the history of art in Europe
• Artists as diplomats
• Art history as diplomacy--exhibitions, post-colonial criticism, global art history, and other revisions to the conventional boundaries of Europe and its history of art
• The international activity of cultural institutes
• Art as cultural resistance in non-democratic regimes
• Art as instrument of international promotion
• Art as instrument of social change and democratization
• Art, social movements and protest
• The critical function of art in cultural diplomacy
Please apply on-line using the electronic form on the conference website or submit by e-mail a titled abstracts of less than 300 words together with the details of your affiliation until 15th of October 2018 to application@euroacademia.org
If you are interested to apply, please see complete information about the conference and details for applicants at:
http://euroacademia.eu/conference/7fcs/
Art as Cultural Diplomacy
As part of
7th Euroacademia Forum of Critical Studies: Asking Big Questions Again
23 – 24 November 2018
Nice, Côte d’Azur, France
Deadline for Paper Proposals: 15th of October 2018
Panel Organizer: Cassandra Sciortino, University of California, Santa Barbara
Panel Description
The panel Art as Cultural Diplomacy seeks papers that explore the function of art (in its broadest definition) as an instrument of cultural diplomacy by the state and, especially, by nongovernmental actors. The main theme of the session is the question of art and diplomacy in Europe before and after the fall of the Berlin Wall. This focus however does not limit the thematic universe of papers to be included in the panel to Europe. Papers are welcome which explore issues related to the role of art, diplomacy and the politicization of Europe, as are those which consider how the arts have pursued or resisted East-West dichotomies and other narratives of alterity in Europe and worldwide. The panel seeks to combine a wide range of interdisciplinary perspectives to explore how art -its various practices, history, and theory - are an important area of inquiry in the expanding field of cultural diplomacy. Papers addressing the role of art in consolidating soft power of states are welcome together with contributions addressing the role of art as cultural diplomacy in the context of significant historical political events.
Some examples of topics include
• How can art serve as a neutral platform for exchange to promote dialogue and understanding between foreign states?
• How can art, including organized festivals (i.e. film, art, music.), cultivate transnational identities that undermine political dichotomies and narratives of alterity making in international relations?
• The implications for art as an instrument of diplomacy in a postmodern age where geopolitics and power are increasingly mobilized by image based structures of persuasion.
• How has/can art facilitate cohesion between European Union member states and candidate states that effectively responds to the EU’s efforts to create “unity in diversity.”
• The politics of mapping the world: mental and cartographic
• Community based art as a social practice to engage issues of political identity
• The difference between art as cultural diplomacy and propaganda
• The digital revolution and the emergence of social media as platforms for art to communicate across social, cultural, and national boundaries?
• Diplomacy in the history of art in Europe
• Artists as diplomats
• Art history as diplomacy--exhibitions, post-colonial criticism, global art history, and other revisions to the conventional boundaries of Europe and its history of art
• The international activity of cultural institutes
• Art as cultural resistance in non-democratic regimes
• Art as instrument of international promotion
• Art as instrument of social change and democratization
• Art, social movements and protest
• The critical function of art in cultural diplomacy
Please apply on-line using the electronic form on the conference website or submit by e-mail a titled abstracts of less than 300 words together with the details of your affiliation until 15th of October 2018 to application@euroacademia.org
If you are interested to apply, please see complete information about the conference and details for applicants at:
http://euroacademia.eu/conference/7fcs/
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