Alexander on Publishing Peter Pindar: Production, Profits, and Piracy in Georgian Satire

James R. Alexander, University of Pittsburgh, Johnstown, has published Publishing Peter Pindar: Production, Profits and Piracy in Georgian Satire at 112 Papers of the Bibliographical Society of America 149 (2018).

As the scurrilous poet ‘Peter Pindar,’ John Wolcot was the most provocative English political satirist in the late 18th century. His smirkingly disrespectful lampooning of the King and his ministers brought widespread popularity and profits, but perilously close to prosecution for seditious libel in the mid-1790s in a period of patriotic zeal when the Pitt government was pressing indictments against dissenting and reformist writers. So Wolcot’s claim of copyright infringement against his own publisher seemed both miscalculated, as it raised the common law assumption that prospectively libelous and therefore criminal works were a threat to public order and therefore ineligible for court protection under copyright. While at the time perhaps an inconsequential procedural ruling, Walcot v. Walker (1802) would inadvertently become a benchmark in copyright law doctrine. In an effort to provide some contextual perspective to the ruling and its interpretation, this essay examines the scale and trend lines of Wolcot’s canon of works to that point, focusing on his production costs, wholesale and retail price structures, and the degree to which his profits were threatened by literary piracy and might have reasonably sought copyright protection. It finds that the same production strategy that had carried him to the apex of political notoriety and commercial success by 1790 also made it imperative for him sell his copyrights to his publisher and eventually sue over disagreements on conditions of their sale.

Download the article from SSRN at the link.