December 16, 2016

Call For Papers: Captivating Criminality, June 29th-July 1st, 2017

Via Thom Giddens @ThomGiddens
Call for Papers: Captivating Criminality 4

Crime Fiction: Detection, Public and Private, Past and Present 29th June – 1st July 2017
Corsham Court, Bath Spa University, UK
The Captivating Criminality Network is delighted to announce its fourth UK conference. Building upon and developing ideas and themes from the previous three successful conferences,
Crime Fiction: Detection, Public and Private, Past and Present will examine what is arguably the very heart of this field of critical study. Crime fiction narratives continue to gain in both popularity and critical appreciation. This conference will consider the ways in which both the public and private aspects of criminality and detection merge and differ from each other.
The police detective, bound by laws of the state (however loosely adhered to) brings a different set of skills and methods of detection than the often maverick private eye. Of course, detection includes the criminals who attempt to avoid capture – the term ‘anti-hero’ can apply to both upholders of the law and to those evading it.
A key question that this conference will address is the enduring appeal of crime fiction and its ability to incorporate other disciplines such as Criminology, Film, and Psychology. From the ‘sensational’ novelists of the 1860s to today’s ‘Domestic Noir’ narratives, crime fiction has proved itself exceptionally proficient in expanding its parameters to encompass changes in the wider culture. With this in mind, we are interested in submissions that approach crime narratives from the earliest days of crime fiction up until the present day.
This international, interdisciplinary event is organised by Bath Spa University and the Captivating Criminality Network, and we invite scholars, practitioners and fans of crime writing, as well as interested parties from Criminology, Psychology, Sociology, and Film and Media, to participate in this conference that will address these key elements of crime fiction and real crime.
Topics may include, but are not restricted to:  
The Detective, Then and Now
The Anti-Hero
True Crime
Contemporary Crime Fiction
Victorian Crime Fiction
The Golden Age
Hardboiled Fiction
Forensics and Detection
The Body as Evidence (silent witness)
Crime and Clues
Dostoevsky and Beyond: The Genealogy of Crime Writing Fatal Femininity Seduction and Sexuality The Criminal Analyst Others and Otherness Landscape and Identity The Country and the City The Media and Detection Adaptation and Interpretation Justice Versus Punishment Lack of Order and Resolution

  Please send 300 word proposals to Dr. Fiona Peters
 ( by 13th February 2017. The abstract should include your  name, email address, and affiliation, as well as the title of your paper. Please feel free to  submit abstracts presenting work in progress as well as completed projects. Postgraduate  students are welcome. Papers will be a maximum of 20 minutes in length. Proposals for  suggested panels are also welcome.
 ​ Attendance fees: £145 (£95 students)

No comments: