ASLH has announced its 2019 Program. The meeting will take place in Boston from November 21 to November 24, 2019. Here's a link to the conference program.
Showing posts with label Conferences. Show all posts
Showing posts with label Conferences. Show all posts
August 23, 2019
August 13, 2019
Visions Not So Splendid: Art, Law, Justice: August 22, 2019 at the Australian National University
The ANU Centre for Law, Art and the Humanities
presents Visions Not
So Splendid: Art, Law, Justice on Thursday 22 August, 12:00-4:30PM
at the Sir Ronald Wilson Building Lecture Theatre, Australian National
University.
This
event includes the following panels:
Law and Art in Transition
·
§ Eliza
Garnsey, ‘The Visual Jurisprudence of Transition’
§ Maya
Broom, ‘Incursions of International Law: Representations in Cinema’
Representation and Justice
·
§ Rachel
Joy, ‘The Work of Art in Decolonising Occupied Australia’
§ Laura
Petersen, ‘Sites of Restitution: Gerhard Richter and the Birkenau Cycle’
§ Lola
Frost, ‘Dream Painting and the Deterritorialisation of Democratic Politics’
For more information:
Dale Mitchell, Vice-President (Web), Law, Literature and Humanities Association of Australasia
Call For Proposals: The Golden Age of Crime, a 2-Day International Conference at the University of Chester, April 3-4, 2020
The Golden Age of Crime: A
Re-Evaluation
A 2-day international
conference at the University of Chester
3-4 April 2020
The
Golden Age of crime fiction, roughly defined as puzzle-based mystery fiction
produced between the First and Second World Wars, is enjoying a renaissance
both in the literary marketplace and in scholarship. This conference intervenes
in emerging academic debates to define and negotiate the boundaries of Golden
Age scholarship.
As
well as interrogating the staples of ‘Golden Age’ crime (the work of Agatha
Christie and/or Ellery Queen, the puzzle format, comparisons to ‘the
psychological turn’), this conference will look at under-explored elements of
the publishing phenomenon.
We
invite proposals for 20-minute papers or panel presentations of one hour.
Topics can include, but are by no means limited to, the following:
Defining
the parameters of Golden Age crime
The
Queens of Crime (Agatha Christie, Margery Allingham, Dorothy L. Sayers, Ngaio
Marsh, Josephine Tey, Gladys Mitchell)
Significant
male writers of the Golden Age (John Dickson Carr, Anthony Berkeley, Ellery
Queen)
Lesser-known
Golden Age practitioners
Collaborative
and round robin novels
Continuation
novels
The
Detection Club
Parody,
pastiche, and postmodernism
Psychology
and psychoanalysis
Meta-fiction
and self- or inter-referentiality
The
language of crime fiction
The
Golden Age and social value
Nostalgia
and heritage
Writing
the past
Gender,
sexuality, and queerness
Clues
and coding
Crime
and the Gothic
Magic
and the supernatural
Place,
space, and psychogeography
Reissues
and rediscovery
Archival
finds and innovations
The
‘Second Golden Age’
The
influence of Golden Age crime writers on subsequent and contemporary writers
Interdisciplinary
perspectives
Teaching
Golden Age crime fiction
Organisers: Dr J C Bernthal
(University of Cambridge), Sarah Martin (University of Chester), Stefano
Serafini (Royal Holloway, University of London)
We
welcome academic and creative paper proposals. Please email your 200-word
proposal and short biographical note to goldenageofcrime@gmail.com no
later than 15th December. Comments and queries
should be directed to the same address.
July 3, 2019
Reposted: Call For Papers, Prison Abolition, Human Rights, and Penal Reform: From the Local to the Global
Prison Abolition, Human Rights, and
Penal Reform:
From the Local to the Global
Mass
incarceration and overcriminalization in the United States are subject to
critique by some on both the right and the left today. Many critics
increasingly talk of prison abolition. At the same time, the
international human rights movement continues to rely upon criminal punishment
as its primary enforcement tool for many violations, even as it criticizes
harsh prison conditions, the use of the death penalty, and lack of
due process in criminal proceedings. What would it mean for the human rights
movement to take seriously calls for prison abolitionism and the
economic and racial inequalities that overcriminalization reproduces and
exacerbates? And what might critics of the carceral regime in the United States
have to learn from work done by international human rights advocates in a
variety of countries?
September
26-28th, 2019,
the Rapoport Center will host in Austin an interdisciplinary conference to
consider the relationships among the human rights, prison abolition,
and penal reform movements. Do they share the same goals? Should they
collaborate? If so, in what ways? The conference is co-sponsored by the Frances
Tarlton “Sissy” Farenthold Endowed Lecture Series in Peace, Social Justice and
Human Rights, Center for European Studies, William Wayne Justice Center for
Public Interest Law, LLILAS Benson Latin American Studies and Collections, John
Warfield Center for African and African American Studies, Center for the Study
of Race and Democracy, Department of Sociology, Center for Population Research,
and Capital Punishment Center.
Ruth
Wilson Gilmore will
offer the keynote lecture on September 26. We invite proposals for papers,
panels, art, or other forms of presentation from activists, practitioners, and
scholars in all disciplines. We are eager to include those who study or
advocate around criminal law and human rights in different regions and
contexts, those who work on various forms of incarceration (including
immigration detention), and those who explore alternatives to current criminal
punishment regimes. We encourage discussion of the distributive effects of
various constructions of and responses to crime. Topics might include:
- Racial
capitalism and prison abolition
- Prison abolition:
short- versus long-term goals
- Abolition
and efforts to reform/transform conditions of confinement: are they in
opposition?
- Capital
punishment, human rights, and the goals of death penalty abolition
- Mass
incarceration and surveillance
- Gender,
sexuality, reproductive rights and the prison system
- Human
rights and decriminalization
- The
human rights movement and national and international criminal law
- Lessons
from transitional and restorative justice
- Incarceration
and the intersections of criminal and immigration law
- Immigration
detention and the (private) prison industrial complex
- Potential
responses to violent crime
- The UN
and crime
- Exportation
of criminal justice models: good and bad
- The
role of victims in carceral regimes and anti-carceral responses
- Reflections
on the role human rights courts do and should play in the carceral state
- Black
Lives Matter, human rights, and abolition
- Queer
politics and abolition
Please
send an abstract of your paper, panel, or project in under 500 words to Sarah Eliason by July 15, 2019. A limited number of
need-based travel grants are available to support travel costs for selected
participants. If you wish to apply for a travel grant, please complete this
application form by July 15, 2019.
June 19, 2019
CFP: 2019 Graphic Justice Disuccsions, USC, Queensland, Australia @usceduau @graogu @LexComica
From the emailbox:
2019 Graphic Justice Discussions – “Drawing the Human: Law, Comics Justice”28-29 November 2019, USC, Queensland, Australia The 2019 conference of the Graphic Justice Research Alliance will be hosted by the USC School of Law and Criminology, University of the Sunshine Coast, Queensland Australia. The conference explores the theme Drawing the Human: Law, Comics, Justice and will run on the 28th and 29th November 2019. The conference seeks to examine the role of comics, graphic novels and graphic art in constituting as well as critiquing law, rights and justice as they relate to and extend beyond the human. Proposals for papers and panels are welcome from academics, postgraduate students and artists from across a range of disciplines including law, criminology and justice, comics studies, visual and cultural studies and the humanities. Please see the attached call for papers which closes on the 31stof August. We look forward to welcoming you to the Sunshine Coast in November.
June 4, 2019
Reminder: Law and Humanities Roundtable: June 29, 2019
Reminder:
Law and Humanities Roundtable 2019
29 June, University of Warwick
The interdisciplinary arena of law and humanities is a rich and developing area of scholarship, with an international and diverse field of academics and thinkers at work within it. It is also an area that is characterised by an openness to innovation and new voices, and an expansive understanding of the value of humanities methodologies and sources as part of the ecology of legal discourse. The aim of this on-going annual roundtable is in part to provide a platform for, and thereby showcase, those working in law and humanities, but in particular to promote conversation and reflection between different approaches, methods, and voices within the range of law and humanities work. At its inception, the event is intended to be both expressive of contemporary law and humanities and reflexive in terms of law and humanities as a disciplinary phenomenon. Participants are encouraged not only to communicate and share the substance of their own work, but also to engage in contemplative discussion around the values, histories, methods, and possible futures of law and humanities within and beyond the global legal academy.
The roundtable is associated with the journal Law and Humanities, and is organised by members of its editorial board with financial support from Routledge.
Confirmed Speakers
- Angela Condello (University of Roma Tre)
- Sophie Doherty (Durham University)
- Jeanne Gaakeer (Erasmus School of Law)
- David Gurnham (University of Southampton)
- Golnar Nabizadeh (University of Dundee)
- Sophie Rigney (University of Dundee)
Click for: Programme and Abstracts.
For more information, please contact Thomas Giddens (t.giddens@dundee.ac.uk).
How to get to Warwick: https://warwick.ac.uk/about/visiting/
May 22, 2019
Call For Papers, 4IR: Philosophical, Ethical, Legal Dimensions, September 3-5, 2019
Call for Papers
4IR: Philosophical, Ethical, Legal Dimensions
The conference aims to bring together scholars from a range of
disciplines to discuss the philosophical, ethical, and legal questions raised
by the onset of the so-called ‘Fourth Industrial Revolution’ and its emerging
technologies. In some cases, the questions are long standing and recent
technologies are leading to a novel reconsideration of them. In other cases,
seemingly new questions are arising – questions that range from the ethical and
legal to the epistemological and foundational.
|
Dates Location Deadline for Abstracts Notification Organisers |
3–5 September 2019 University of the Witwatersrand, Johannesburg, South Africa 15 June 2019 (extended deadline) 30 June 2019 Helen Robertson (Wits), Turgay Celik (NEPTTP, Wits), Rod Alence (Wits), Casey Sparkes (NEPTTP), Anwar Vahed (DIRISA) |
Submissions are invited on the
philosophical, ethical, and legal dimensions of, among others,
|
Algorithmic Automation Artificial Intelligence Artificial Life Big Data Cyber Warfare Data Mining Deep Learning |
Hypercomputation Machine Learning Open Data Personal Data Simulation and Virtual Reality Social Media |
Submission of abstracts is via Easychair at https://easychair.org/conferences/?conf=4irphel. Short (180-200 word) and extended
(800-1000 word) abstracts should be prepared for blind review and submitted by
15 June 2019.
|
Submissions from the following disciplines are especially encouraged.
Applied Ethics
Epistemology
Philosophy of Mind
Philosophy of Information
Philosophy of Computation
Data Protection Law
|
Interdisciplinary submissions from the following disciplines
are equally encouraged.
Data Science
Cognitive Science
Computer Science
Mathematics
Logic
Robotics
|
The keynote address will be given by Brent
Mittelstadt, Oxford Internet Institute, University of Oxford.
Publication of selected papers in a conference special issue is planned
for 2020. Further details will be announced.
Queries regarding
abstract submission or the conference more generally can be directed to Helen
Robertson at <helen.robertson@wits.ac.za> or via the conference
website at https://easychair.org/smart-program/4IRPhEL/about.html.
The conference is funded by the National e-Science
Postgraduate Teaching and Training Platform (NEPTTP) and the Data Intensive
Research Initiative of South Africa (DIRISA).
May 21, 2019
Call For Papers, Political Theology Theology Network Conference, NYC, October 17-19, 2019
Political Theology Network Conference
Columbia University & Union Theological Seminary
New York City
October 17-19, 2019
***Call for Papers Deadline Approaching: June 1***Funding Available
***Keynote Speakers: Michelle Alexander, Gil Anidjar, Silvia Federici, Lap Yan Kung, Intisar Rabb, Najeeba Syeed
We invite proposals of 200-300 words for projects
exploring political theology, broadly understood as an interdisciplinary
conversation about intersections of religious and political ideas and
practices. Under the sign of “political theology” political theorists have
reflected on analogies between political and theological sovereignty,
theologians have reflected on the role of memory and hope in political
engagement, and cultural theorists have performed ideology critique. We are
looking for projects that may draw on but also challenge and transform such
classic conversations about political theology. We embrace the vibrant
scholarly and activist work being done under the sign of political theology
around the world, particularly in contexts of domination. African, Arab, Asian,
and Latinx political theological traditions interrogate discourses around
“sacred” and “profane” bodies. Indigenous activists organize to dismantle the
anthropocentricism and “civilizing mission” of settler states. Scholars of
secularism explore the relationship between caste, political culture, and
everyday life in India. Black Muslim intellectuals theorize the power of popular
protest and the religious nature of #BlackLivesMatter. Anti-colonial
theologians from across the globe discuss abolition, anarchy, statelessness,
and “higher laws.” Still others invite us to imagine “the end of the world.” We
aim to bring together scholars, activists, and artists working with
ethnographic, theoretical, theological, legal, historical, literary, and
cultural studies methods motivated by a concern for justice. We are
particularly interested in proposals that speak to the following themes:
- economies
- ecologies
- legalities
- embodiments
- gender and sexualities
- racializations
- citizenship, migration, place
and displacement
- colonialisms (including
settler colonialism and relations between settlers and Indigenous peoples)
- critical disability studies
- technologies and artificial
intelligence
- fictions and poetics
- public scholarship and
creative pedagogies
- religious nationalisms and
religious pluralities
- Paper presentation or
pre-arranged papers panel (we anticipate allotting 90 minutes for each
panel)
- Poster
- Dialogue or roundtable around
a single theme (roundtables that include a combination of academics,
activists, and representatives of the community are strongly encouraged) - Activist workshop (e.g.
teach-in, facilitated conversation, skills-building session, etc.)
- Performative piece (e.g.
poem, spoken word, music, drama, dance, film, digital media, creative
fiction readings, etc.) (Please submit either a general description of the
piece or the performative work itself. Please
also indicate any preferences for room and A/V setup.
Submit proposals to Winfield Goodwin, PTN Conference Coordinator, at ptn19.proposals@gmail.com
Proposals Due June 1, 2019.
A limited amount of funding will be available to offset conference travel costs. Note: this funding is not available to tenured or tenure-track faculty (or equivalent). If you would like to be considered for funding, please indicate that with your submission.
April 15, 2019
A Conference on Law and Opera, University of Turin, May 6, 2019
From the emailbox:
An announcement of a fascinating conference on Law and Opera, taking place on May 6th, at the University of Turin. The Department of Law is sponsoring the conference. Participants will include academics, singers, and directors.
An announcement of a fascinating conference on Law and Opera, taking place on May 6th, at the University of Turin. The Department of Law is sponsoring the conference. Participants will include academics, singers, and directors.
See the Conference Program here,
April 8, 2019
Argumentation Conference Brno, October 18, 2019: Call For Papers
The International Conference on Alternative Methods of Argumentation in Law (Argumentation Conference Brno) will take place October 18th, 2019. The conference organizers invite you to submit proposals for papers. More information is available here at the conference website.
March 11, 2019
Call for Abstracts: JurisApocalypse Now! Law in End Times, December 2-4, 2019 (LLHAA)
Southern
Cross University School of Law and Justice, in partnership with the Law, Literature and the Humanities Association of Australasia
(LLHAA), is proud to convene and organise the
2019 LLHAA conference titled JurisApocalypse Now! Law in End Times, which will
be held at Southern Cross University Gold Coast Campus on 2-4 December 2019.
The conference will explore the intersection of legality,
temporality and eschatology, the normatively uncertain and yet inherently
creative space originated by the conflicting encounter between the orderly
desire of law and the entropic tendency of apocalyptic narratives, with both
forces cast against the backdrop of the ever-deferred notion of time itself.
Furthermore,
the conference is organised in conjunction with the 2019 Law and Society
Association of Australia and New Zealand (LSAANZ) conference, titled Survive, Thrive, Die: Law in End Times, which will be
held on 5-7 December 2019, still at Southern Cross University Gold Coast
Campus. The two conferences, although distinct and separate, are nonetheless
connected by a shared overarching theme, and are articulated around a shared
Postgraduate Day, which will be held on the 5th December.
Scholars are invited, in a profoundly interdisciplinary manner, to participate
in either or both conferences.
For further information, or if you have any query about the
conferences, please visit https://sljresearch.net.au/lawinendtimes/
Southern
Cross University School of Law and Justice, in partnership with the Law, Literature and the Humanities Association of Australasia
(LLHAA), is proud to convene and organise the
2019 LLHAA conference titled JurisApocalypse Now! Law in End Times, which will
be held at Southern Cross University Gold Coast Campus on 2-4 December 2019.
The conference will explore the intersection of legality,
temporality and eschatology, the normatively uncertain and yet inherently
creative space originated by the conflicting encounter between the orderly
desire of law and the entropic tendency of apocalyptic narratives, with both
forces cast against the backdrop of the ever-deferred notion of time itself.
Furthermore,
the conference is organised in conjunction with the 2019 Law and Society
Association of Australia and New Zealand (LSAANZ) conference, titled Survive, Thrive, Die: Law in End Times, which will be
held on 5-7 December 2019, still at Southern Cross University Gold Coast
Campus. The two conferences, although distinct and separate, are nonetheless
connected by a shared overarching theme, and are articulated around a shared
Postgraduate Day, which will be held on the 5th December.
Scholars are invited, in a profoundly interdisciplinary manner, to participate
in either or both conferences.
For further information, or if you have any query about the
conferences, please visit https://sljresearch.net.au/lawinendtimes/
CALL
FOR ABSTRACTS
Submission deadline: 31 July 2019
The Organising Committee
invites the submission of abstracts of original work. Abstracts can be
submitted for consideration for an oral presentation or a hard copy poster.
The Organising Committee
will endeavour to notify presenters whether their proposed paper has been
accepted at the beginning of each month following the abstract’s submission.
Submissions can be made using the
following link:
November 14, 2018
Call For Proposals: Conference on Literature, Law, and Psychoanalysis, 1890-1950, University of Sheffield, April 11-13, 2019
Literature,
Law and Psychoanalysis, 1890-1950
A conference
at the University of Sheffield, April 11-13, 2019
The twentieth-century
was a period of worldwide literary experiment, of scientific developments and
of worldwide conflict. These changes demanded a rethinking not merely of
psychological subjectivity, but also of what it meant to be subject to the law
and to punishment. This two-day conference aims to explore relationships
between literature, law and psychoanalysis during the period 1890-1950,
allowing productive mixing of canonical and popular literature and also
encouraging interdisciplinary conversations between different fields of study.
The period examined by the conference included: developments in Freudian psychoanalysis and its branching in other directions; the founding of criminology; continuing campaigns and reforms around the death penalty; landmark modernist publications; the ‘Golden Age’ of detective fiction; and multiple sensational trials (Wilde, Crippen, Casement, Leopold and Loeb, to name but a few). Freud’s followers, like Theodor Reik and Hans Sachs, would publish work on criminal law and the death penalty; psychoanalysts were sought after as expert witnesses; novelists like Elizabeth Bowen would serve on a Royal Commission investigating capital punishment; while Gladys Mitchell invented the character of Beatrice Adela Lestrange Bradley as a literary detective-psychoanalyst.
We therefore hope to consider areas including literature’s connection with historical debates around crime and punishment; literature and authors on trial and/or on the ‘psychiatrist’s couch’;and literature’s effect on debates about human rights. The event is linked to and partly supported by an AHRC project on literature, psychoanalysis and the death penalty, but the aim of this conference is much wider. Interdisciplinary approaches, especially from fields such as psychoanalysis, philosophy, law or the visual arts, are particularly encouraged. We also welcome papers on international legal systems and texts. All responses are welcome and the scope of our interdisciplinary interests is flexible, with room in the planned programme for strands of work that might be more or less literary.
Possible topics might include:
psychoanalysis in the real or literary courtroom;
literary form and the insanity defence;
canonical authors as readers of crime fiction and vice versa;
censorship cases;
the influence of famous legal cases on literary productions or on psychoanalytic theory;
influences of criminology and criminal psychology on literature;
representations of new execution methods (for example, the gas chamber and the electric chair);
portrayals of restorative versus retributive justice;
literary responses to the Universal Declaration of Human Rights;
relationships between modernism and Critical Legal Studies (CLS).
Please send 250 word paper proposals or 300 word proposals for fully formed panels to Dr Katherine Ebury at llitlawpsy2019@gmail.com by 28th November 2018.
See the website for more
information: https://litlawpsy2019.wordpress.com/cfp/
October 21, 2018
Conference on the Bible in Crime Fiction and Drama, January 8, 2019, University of Edinburgh @EdinburghUni
- The Bible in Crime Fiction and Drama: Day Conference, at the University of Edinburgh
- Date of Event
- 8th January 2019
- Last Booking Date for this Event
- 4th January 2019
- Places Available
- 46
- Description
- The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. This conference explores the issues raised by the forthcoming volume, The Bible in Crime Fiction and Drama (Bloomsbury Press, 2019), which brings together multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day.
October 18, 2018
Extended Deadline: ASLCH CFP October 24, 2018 @Law_Cult_Huma
Association for the Study of Law, Culture, and the Humanities: Call for Proposals
Extended
Deadline
We
are pleased to announce that the Twenty-Second Annual Meeting of the
Association for the Study of Law, Culture and the Humanities will be held at
Carleton University, Ottawa, Canada on March 22-23, 2019. The event is co-sponsored by
The Pauline Jewett Institute of Women’s and Gender Studies, Carleton University
and the University of Ottawa. Information regarding the pre-conference
Graduate Student Workshop will follow shortly.
We welcome quality proposals on
any topic related to law and legal studies. We warmly welcome proposals on all
topics, and are particularly interested in proposals addressing the
intersections between gender, sexuality, race and law.
All proposals are due Wednesday, October
24, 2018.
Individual proposals should
include title and an abstract of no more than 250 words.
We also welcome proposals for
panels, roundtables, and streams (two panels on one theme). Panels should
include three papers (or, exceptionally, four papers). Specify a title and a
chair of your panel. The panel chair may also be a panel presenter. It is not
necessary to write an abstract or proposal for the panel itself. To indicate
your pre-constituted panel, roundtable, or stream, please ensure that
individual registrants provide the name of the panel and the chair in their
individual submissions on the registration site. All panel, roundtable, or
stream participants must make an individual submission on the registration
site.
All proposals must be submitted
on this website: https://www.eventbrite.com/e/2019-annual-meeting-association-for-the-study-of-law-culture-the-humanities-registration-50307147031
Notifications will be sent by
mid-December, 2018.
The fees for participation in
the Conference, which include membership to the Association, will be:
· Graduate students
and post-doctoral scholars: $35
•
Income less than $75,000: $125
•
Income between $75,000-$99,999: $155
•
Income between $100,000-$124,999: $210
•
Income $125,000 and over: $260
The
Association for the Study of Law, Culture and the Humanities is an organization
of scholars engaged in interdisciplinary, humanistically-oriented legal
scholarship. The Association brings together a wide range of people engaged in
scholarship on legal history, legal theory and jurisprudence, political, law
and cultural studies, law and anthropology, law and literature, law and the
performing arts, and legal hermeneutics. We want to encourage dialogue across
and among these fields about issues of interpretation, identity, and values,
about authority, obligation, and justice, and about law's role as a constituent
part of cultures and communities. If you have any general questions about the
conference, please do not hesitate to contact us law.culture.humanities@gmail.com
CFP: Television Drama, Law, and National Identity, Symposium at Centre for Law, Society, Popular Culture, Westminster Law School, September 6, 2019 @@UW_WLS
Centre for Law, Society and
Popular Culture
Television
drama, law and national identity
Symposium Announcement and First
Call for Papers
Friday 6 September 2019
Television drama
plays a seminal role in the cultural life of nations, and the way in which it
depicts national identities merits scholarly exploration. In this regard national identity’s
relationship with law as its crystallisation is particularly worthy of academic
attention and lends itself to interdisciplinary and comparative
perspectives. Police, crime, justice and
dystopian dramas frequently place law and social attitudes to law centre-stage
in the delineation of national identity.
Television drama
may be perceived as a communicative event in which history is transformed into
myth through a stylised set of codes.
The transmission of coded messages about national identity, and their
interpretation (both hegemonic and oppositional) become particularly worthy of analysis
as the nation comes under strain through patterns of globalised and regional
integration coupled with acts of national resistance. Multiple genres of television drama provide
scope for the expression of national identity, including the use by period dramas
of creative nostalgia to represent the contemporary nation or the warnings to
the nation posed by science fiction television.
In all contexts the interplay between projections of national identity and
television’s treatment of race, class and gender warrants critical scrutiny.
Proposals for
20-minute papers are therefore invited for a symposium on 6 September 2019, to
be held in the University
of Westminster ’s historic
Regent Street
building just metres away from BBC headquarters. Possible subjects for papers might include,
but are by no means limited to:
- is national identity empirical or normative in television
drama?
- internet/social media amplification of debates on TV drama, law
and identity
- national identity on television as ideology
- depictions of trials and national identity
- national security dramas: ‘war against terrorism’, identity and
law(lessness)
- political dramas: uniform global elite or national diversity?
- fan responses to the portrayal of the nation
- globalisation/globalised law – depicted as threat to national
identity?
- feminist crime drama and national identity
- science fiction or dystopian fiction, law and national identity
- ‘heritage’ drama: commodification of (rose-tinted) ideas of
national identity for global consumption?
Abstracts should
be 250 words in length, accompanied by a 100-word biography of the author, and
sent to nicold@wmin.ac.uk by the deadline
of 1 February 2019.
Via @Doubledegree
September 20, 2018
CFP, Deadline October 15, 2018: Art as Cultural Diplomacy, November 23-24, 2018
Call for Papers for the
Panel:
Art as Cultural Diplomacy
As part of
7th Euroacademia Forum of Critical Studies: Asking Big Questions Again
23 – 24 November 2018
Nice, Côte d’Azur, France
Deadline for Paper Proposals: 15th of October 2018
Panel Organizer: Cassandra Sciortino, University of California, Santa Barbara
Panel Description
The panel Art as Cultural Diplomacy seeks papers that explore the function of art (in its broadest definition) as an instrument of cultural diplomacy by the state and, especially, by nongovernmental actors. The main theme of the session is the question of art and diplomacy in Europe before and after the fall of the Berlin Wall. This focus however does not limit the thematic universe of papers to be included in the panel to Europe. Papers are welcome which explore issues related to the role of art, diplomacy and the politicization of Europe, as are those which consider how the arts have pursued or resisted East-West dichotomies and other narratives of alterity in Europe and worldwide. The panel seeks to combine a wide range of interdisciplinary perspectives to explore how art -its various practices, history, and theory - are an important area of inquiry in the expanding field of cultural diplomacy. Papers addressing the role of art in consolidating soft power of states are welcome together with contributions addressing the role of art as cultural diplomacy in the context of significant historical political events.
Some examples of topics include
• How can art serve as a neutral platform for exchange to promote dialogue and understanding between foreign states?
• How can art, including organized festivals (i.e. film, art, music.), cultivate transnational identities that undermine political dichotomies and narratives of alterity making in international relations?
• The implications for art as an instrument of diplomacy in a postmodern age where geopolitics and power are increasingly mobilized by image based structures of persuasion.
• How has/can art facilitate cohesion between European Union member states and candidate states that effectively responds to the EU’s efforts to create “unity in diversity.”
• The politics of mapping the world: mental and cartographic
• Community based art as a social practice to engage issues of political identity
• The difference between art as cultural diplomacy and propaganda
• The digital revolution and the emergence of social media as platforms for art to communicate across social, cultural, and national boundaries?
• Diplomacy in the history of art in Europe
• Artists as diplomats
• Art history as diplomacy--exhibitions, post-colonial criticism, global art history, and other revisions to the conventional boundaries of Europe and its history of art
• The international activity of cultural institutes
• Art as cultural resistance in non-democratic regimes
• Art as instrument of international promotion
• Art as instrument of social change and democratization
• Art, social movements and protest
• The critical function of art in cultural diplomacy
Please apply on-line using the electronic form on the conference website or submit by e-mail a titled abstracts of less than 300 words together with the details of your affiliation until 15th of October 2018 to application@euroacademia.org
If you are interested to apply, please see complete information about the conference and details for applicants at:
http://euroacademia.eu/conference/7fcs/
Art as Cultural Diplomacy
As part of
7th Euroacademia Forum of Critical Studies: Asking Big Questions Again
23 – 24 November 2018
Nice, Côte d’Azur, France
Deadline for Paper Proposals: 15th of October 2018
Panel Organizer: Cassandra Sciortino, University of California, Santa Barbara
Panel Description
The panel Art as Cultural Diplomacy seeks papers that explore the function of art (in its broadest definition) as an instrument of cultural diplomacy by the state and, especially, by nongovernmental actors. The main theme of the session is the question of art and diplomacy in Europe before and after the fall of the Berlin Wall. This focus however does not limit the thematic universe of papers to be included in the panel to Europe. Papers are welcome which explore issues related to the role of art, diplomacy and the politicization of Europe, as are those which consider how the arts have pursued or resisted East-West dichotomies and other narratives of alterity in Europe and worldwide. The panel seeks to combine a wide range of interdisciplinary perspectives to explore how art -its various practices, history, and theory - are an important area of inquiry in the expanding field of cultural diplomacy. Papers addressing the role of art in consolidating soft power of states are welcome together with contributions addressing the role of art as cultural diplomacy in the context of significant historical political events.
Some examples of topics include
• How can art serve as a neutral platform for exchange to promote dialogue and understanding between foreign states?
• How can art, including organized festivals (i.e. film, art, music.), cultivate transnational identities that undermine political dichotomies and narratives of alterity making in international relations?
• The implications for art as an instrument of diplomacy in a postmodern age where geopolitics and power are increasingly mobilized by image based structures of persuasion.
• How has/can art facilitate cohesion between European Union member states and candidate states that effectively responds to the EU’s efforts to create “unity in diversity.”
• The politics of mapping the world: mental and cartographic
• Community based art as a social practice to engage issues of political identity
• The difference between art as cultural diplomacy and propaganda
• The digital revolution and the emergence of social media as platforms for art to communicate across social, cultural, and national boundaries?
• Diplomacy in the history of art in Europe
• Artists as diplomats
• Art history as diplomacy--exhibitions, post-colonial criticism, global art history, and other revisions to the conventional boundaries of Europe and its history of art
• The international activity of cultural institutes
• Art as cultural resistance in non-democratic regimes
• Art as instrument of international promotion
• Art as instrument of social change and democratization
• Art, social movements and protest
• The critical function of art in cultural diplomacy
Please apply on-line using the electronic form on the conference website or submit by e-mail a titled abstracts of less than 300 words together with the details of your affiliation until 15th of October 2018 to application@euroacademia.org
If you are interested to apply, please see complete information about the conference and details for applicants at:
http://euroacademia.eu/conference/7fcs/
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