Showing posts with label Conferences. Show all posts
Showing posts with label Conferences. Show all posts

August 23, 2019

August 13, 2019

Visions Not So Splendid: Art, Law, Justice: August 22, 2019 at the Australian National University



The ANU Centre for Law, Art and the Humanities presents Visions Not So Splendid: Art, Law, Justice on Thursday 22 August, 12:00-4:30PM at the Sir Ronald Wilson Building Lecture Theatre, Australian National University.

This event includes the following panels:
Law and Art in Transition
·          
§  Eliza Garnsey, ‘The Visual Jurisprudence of Transition’
§  Maya Broom, ‘Incursions of International Law: Representations in Cinema’
Representation and Justice
·          
§  Rachel Joy, ‘The Work of Art in Decolonising Occupied Australia’
§  Laura Petersen, ‘Sites of Restitution: Gerhard Richter and the Birkenau Cycle’
§  Lola Frost, ‘Dream Painting and the Deterritorialisation of Democratic Politics’


Click here to access the Visions Not So Splendid: Art Law, Justice Program which contains the full schedule and abstracts for this exciting event.

For more information:

Dale Mitchell, Vice-President (Web), Law, Literature and Humanities Association of Australasia





Call For Proposals: The Golden Age of Crime, a 2-Day International Conference at the University of Chester, April 3-4, 2020



The Golden Age of Crime: A Re-Evaluation
A 2-day international conference at the University of Chester
3-4 April 2020

The Golden Age of crime fiction, roughly defined as puzzle-based mystery fiction produced between the First and Second World Wars, is enjoying a renaissance both in the literary marketplace and in scholarship. This conference intervenes in emerging academic debates to define and negotiate the boundaries of Golden Age scholarship.

As well as interrogating the staples of ‘Golden Age’ crime (the work of Agatha Christie and/or Ellery Queen, the puzzle format, comparisons to ‘the psychological turn’), this conference will look at under-explored elements of the publishing phenomenon.

We invite proposals for 20-minute papers or panel presentations of one hour. Topics can include, but are by no means limited to, the following:

Defining the parameters of Golden Age crime
The Queens of Crime (Agatha Christie, Margery Allingham, Dorothy L. Sayers, Ngaio Marsh, Josephine Tey, Gladys Mitchell)
Significant male writers of the Golden Age (John Dickson Carr, Anthony Berkeley, Ellery Queen)
Lesser-known Golden Age practitioners
Collaborative and round robin novels
Continuation novels
The Detection Club
Parody, pastiche, and postmodernism
Psychology and psychoanalysis
Meta-fiction and self- or inter-referentiality
The language of crime fiction
The Golden Age and social value
Nostalgia and heritage
Writing the past
Gender, sexuality, and queerness
Clues and coding
Crime and the Gothic
Magic and the supernatural
Place, space, and psychogeography
Reissues and rediscovery
Archival finds and innovations
The ‘Second Golden Age’
The influence of Golden Age crime writers on subsequent and contemporary writers
Interdisciplinary perspectives
Teaching Golden Age crime fiction

Organisers: Dr J C Bernthal (University of Cambridge), Sarah Martin (University of Chester), Stefano Serafini (Royal Holloway, University of London)

We welcome academic and creative paper proposals. Please email your 200-word proposal and short biographical note to goldenageofcrime@gmail.com no later than 15th December. Comments and queries should be directed to the same address.


July 3, 2019

Reposted: Call For Papers, Prison Abolition, Human Rights, and Penal Reform: From the Local to the Global


Reposted: Call For Papers 



Prison Abolition, Human Rights, and Penal Reform:
From the Local to the Global

Mass incarceration and overcriminalization in the United States are subject to critique by some on both the right and the left today. Many critics increasingly talk of prison abolition. At the same time, the international human rights movement continues to rely upon criminal punishment as its primary enforcement tool for many violations, even as it criticizes harsh prison conditions, the use of the death penalty, and lack of due process in criminal proceedings. What would it mean for the human rights movement to take seriously calls for prison abolitionism and the economic and racial inequalities that overcriminalization reproduces and exacerbates? And what might critics of the carceral regime in the United States have to learn from work done by international human rights advocates in a variety of countries?

September 26-28th, 2019, the Rapoport Center will host in Austin an interdisciplinary conference to consider the relationships among the human rights, prison abolition, and penal reform movements. Do they share the same goals? Should they collaborate? If so, in what ways? The conference is co-sponsored by the Frances Tarlton “Sissy” Farenthold Endowed Lecture Series in Peace, Social Justice and Human Rights, Center for European Studies, William Wayne Justice Center for Public Interest Law, LLILAS Benson Latin American Studies and Collections, John Warfield Center for African and African American Studies, Center for the Study of Race and Democracy, Department of Sociology, Center for Population Research, and Capital Punishment Center.

Ruth Wilson Gilmore will offer the keynote lecture on September 26. We invite proposals for papers, panels, art, or other forms of presentation from activists, practitioners, and scholars in all disciplines. We are eager to include those who study or advocate around criminal law and human rights in different regions and contexts, those who work on various forms of incarceration (including immigration detention), and those who explore alternatives to current criminal punishment regimes. We encourage discussion of the distributive effects of various constructions of and responses to crime. Topics might include:
  • Racial capitalism and prison abolition
  • Prison abolition: short- versus long-term goals
  • Abolition and efforts to reform/transform conditions of confinement: are they in opposition?
  • Capital punishment, human rights, and the goals of death penalty abolition
  • Mass incarceration and surveillance
  • Gender, sexuality, reproductive rights and the prison system
  • Human rights and decriminalization
  • The human rights movement and national and international criminal law
  • Lessons from transitional and restorative justice
  • Incarceration and the intersections of criminal and immigration law
  • Immigration detention and the (private) prison industrial complex
  • Potential responses to violent crime
  • The UN and crime
  • Exportation of criminal justice models: good and bad
  • The role of victims in carceral regimes and anti-carceral responses
  •  Reflections on the role human rights courts do and should play in the carceral state
  • Black Lives Matter, human rights, and abolition
  • Queer politics and abolition

Please send an abstract of your paper, panel, or project in under 500 words to Sarah Eliason by July 15, 2019. A limited number of need-based travel grants are available to support travel costs for selected participants. If you wish to apply for a travel grant, please complete this application form by July 15, 2019.

June 19, 2019

CFP: 2019 Graphic Justice Disuccsions, USC, Queensland, Australia @usceduau @graogu @LexComica

From the emailbox:


2019 Graphic Justice Discussions – “Drawing the Human: Law, Comics Justice”28-29 November 2019, USC, Queensland, Australia The 2019 conference of the Graphic Justice Research Alliance will be hosted by the USC School of Law and Criminology, University of the Sunshine Coast, Queensland Australia. The conference explores the theme Drawing the Human: Law, Comics, Justice and will run on the 28th and 29th November 2019. The conference seeks to examine the role of comics, graphic novels and graphic art in constituting as well as critiquing law, rights and justice as they relate to and extend beyond the human. Proposals for papers and panels are welcome from academics, postgraduate students and artists from across a range of disciplines including law, criminology and justice, comics studies, visual and cultural studies and the humanities. Please see the attached call for papers which closes on the 31stof August. We look forward to welcoming you to the Sunshine Coast in November. 

June 4, 2019

Reminder: Law and Humanities Roundtable: June 29, 2019



Reminder:


Law and Humanities Roundtable 2019
29 June, University of Warwick

The interdisciplinary arena of law and humanities is a rich and developing area of scholarship, with an international and diverse field of academics and thinkers at work within it. It is also an area that is characterised by an openness to innovation and new voices, and an expansive understanding of the value of humanities methodologies and sources as part of the ecology of legal discourse. The aim of this on-going annual roundtable is in part to provide a platform for, and thereby showcase, those working in law and humanities, but in particular to promote conversation and reflection between different approaches, methods, and voices within the range of law and humanities work. At its inception, the event is intended to be both expressive of contemporary law and humanities and reflexive in terms of law and humanities as a disciplinary phenomenon. Participants are encouraged not only to communicate and share the substance of their own work, but also to engage in contemplative discussion around the values, histories, methods, and possible futures of law and humanities within and beyond the global legal academy.

The roundtable is associated with the journal Law and Humanities, and is organised by members of its editorial board with financial support from Routledge.
Confirmed Speakers
  • Angela Condello (University of Roma Tre)
  • Sophie Doherty (Durham University)
  • Jeanne Gaakeer (Erasmus School of Law)
  • David Gurnham (University of Southampton)
  • Golnar Nabizadeh (University of Dundee)
  • Sophie Rigney (University of Dundee)
For more information, please contact Thomas Giddens (t.giddens@dundee.ac.uk).
How to get to Warwick: https://warwick.ac.uk/about/visiting/

May 22, 2019

Call For Papers, 4IR: Philosophical, Ethical, Legal Dimensions, September 3-5, 2019






Call for Papers
4IR: Philosophical, Ethical, Legal Dimensions

The conference aims to bring together scholars from a range of disciplines to discuss the philosophical, ethical, and legal questions raised by the onset of the so-called ‘Fourth Industrial Revolution’ and its emerging technologies. In some cases, the questions are long standing and recent technologies are leading to a novel reconsideration of them. In other cases, seemingly new questions are arising – questions that range from the ethical and legal to the epistemological and foundational.
Dates
Location
Deadline for Abstracts
Notification
Organisers

3–5 September 2019
University of the Witwatersrand, Johannesburg, South Africa
15 June 2019 (extended deadline)
30 June 2019
Helen Robertson (Wits), Turgay Celik (NEPTTP, Wits), Rod Alence (Wits), Casey Sparkes (NEPTTP), Anwar Vahed (DIRISA)

Submissions are invited on the philosophical, ethical, and legal dimensions of, among others,

Algorithmic Automation
Artificial Intelligence
Artificial Life
Big Data
Cyber Warfare
Data Mining
Deep Learning
Hypercomputation
Machine Learning
Open Data
Personal Data
Simulation and Virtual Reality
Social Media

Submission of abstracts is via Easychair at https://easychair.org/conferences/?conf=4irphel. Short (180-200 word) and extended (800-1000 word) abstracts should be prepared for blind review and submitted by 15 June 2019.

Submissions from the following disciplines are especially encouraged.

Applied Ethics
Epistemology
Philosophy of Mind
Philosophy of Information
Philosophy of Computation
Data Protection Law
Interdisciplinary submissions from the following disciplines are equally encouraged.

Data Science
Cognitive Science
Computer Science
Mathematics
Logic
Robotics

The keynote address will be given by Brent Mittelstadt, Oxford Internet Institute, University of Oxford.

Publication of selected papers in a conference special issue is planned for 2020. Further details will be announced.

Queries regarding abstract submission or the conference more generally can be directed to Helen Robertson at <helen.robertson@wits.ac.za>  or via the conference website at https://easychair.org/smart-program/4IRPhEL/about.html.

The conference is funded by the National e-Science Postgraduate Teaching and Training Platform (NEPTTP) and the Data Intensive Research Initiative of South Africa (DIRISA).



May 21, 2019

Call For Papers, Political Theology Theology Network Conference, NYC, October 17-19, 2019


Political Theology Network Conference

Columbia University & Union Theological Seminary

New York City

October 17-19, 2019

***Call for Papers Deadline Approaching: June 1
***Funding Available
***Keynote Speakers: Michelle Alexander, Gil Anidjar, Silvia Federici, Lap Yan Kung, Intisar Rabb, Najeeba Syeed
We invite proposals of 200-300 words for projects exploring political theology, broadly understood as an interdisciplinary conversation about intersections of religious and political ideas and practices. Under the sign of “political theology” political theorists have reflected on analogies between political and theological sovereignty, theologians have reflected on the role of memory and hope in political engagement, and cultural theorists have performed ideology critique. We are looking for projects that may draw on but also challenge and transform such classic conversations about political theology. We embrace the vibrant scholarly and activist work being done under the sign of political theology around the world, particularly in contexts of domination. African, Arab, Asian, and Latinx political theological traditions interrogate discourses around “sacred” and “profane” bodies. Indigenous activists organize to dismantle the anthropocentricism and “civilizing mission” of settler states. Scholars of secularism explore the relationship between caste, political culture, and everyday life in India. Black Muslim intellectuals theorize the power of popular protest and the religious nature of #BlackLivesMatter. Anti-colonial theologians from across the globe discuss abolition, anarchy, statelessness, and “higher laws.” Still others invite us to imagine “the end of the world.” We aim to bring together scholars, activists, and artists working with ethnographic, theoretical, theological, legal, historical, literary, and cultural studies methods motivated by a concern for justice. We are particularly interested in proposals that speak to the following themes:
  • economies
  • ecologies
  • legalities
  • embodiments
  • gender and sexualities
  • racializations
  • citizenship, migration, place and displacement
  • colonialisms (including settler colonialism and relations between settlers and Indigenous peoples)
  • critical disability studies
  • technologies and artificial intelligence
  • fictions and poetics
  • public scholarship and creative pedagogies
  • religious nationalisms and religious pluralities
Proposals that address these themes from diverse global and religious perspectives are especially welcome. We invite five different presentation formats:
  1. Paper presentation or pre-arranged papers panel (we anticipate allotting 90 minutes for each panel)
  2. Poster
  3. Dialogue or roundtable around a single theme (roundtables that include a combination of academics,
    activists, and representatives of the community are strongly encouraged)
  4. Activist workshop (e.g. teach-in, facilitated conversation, skills-building session, etc.)
  5. Performative piece (e.g. poem, spoken word, music, drama, dance, film, digital media, creative fiction readings, etc.) (Please submit either a general description of the piece or the performative work itself. Please
    also indicate any preferences for room and A/V setup.
This conference, hosted by Union Theological Seminary and Columbia University, is also funded by grants from the Henry Luce Foundation and Emory University’s Center for the Study of Law and Religion. It hosts a professional network connecting scholars of political theology across varying fields and traditions, and we are eager for proposals to advance conversations about what political theology could look like both in and outside the academy.
Submit proposals to Winfield Goodwin, PTN Conference Coordinator, at ptn19.proposals@gmail.com

Proposals Due June 1, 2019.

A limited amount of funding will be available to offset conference travel costs. Note: this funding is not available to tenured or tenure-track faculty (or equivalent). If you would like to be considered for funding, please indicate that with your submission.


April 15, 2019

A Conference on Law and Opera, University of Turin, May 6, 2019

From the emailbox:

An announcement of a fascinating conference on Law and Opera, taking place on May 6th, at the University of Turin. The Department of Law is sponsoring the conference. Participants will include academics, singers, and directors.

See the Conference Program here,


April 8, 2019

Argumentation Conference Brno, October 18, 2019: Call For Papers

The International Conference on Alternative Methods of Argumentation in Law (Argumentation Conference Brno) will take place October 18th, 2019. The conference organizers invite you to submit proposals for papers. More information is available here at the conference website. 

March 11, 2019

Call for Abstracts: JurisApocalypse Now! Law in End Times, December 2-4, 2019 (LLHAA)




Southern Cross University School of Law and Justice, in partnership with the Law, Literature and the Humanities Association of Australasia (LLHAA), is proud to convene and organise the 2019 LLHAA conference titled JurisApocalypse Now! Law in End Times, which will be held at Southern Cross University Gold Coast Campus on 2-4 December 2019.

The conference will explore the intersection of legality, temporality and eschatology, the normatively uncertain and yet inherently creative space originated by the conflicting encounter between the orderly desire of law and the entropic tendency of apocalyptic narratives, with both forces cast against the backdrop of the ever-­deferred notion of time itself.

Furthermore, the conference is organised in conjunction with the 2019 Law and Society Association of Australia and New Zealand (LSAANZ) conference, titled Survive, Thrive, Die: Law in End Times, which will be held on 5-7 December 2019, still at Southern Cross University Gold Coast Campus. The two conferences, although distinct and separate, are nonetheless connected by a shared overarching theme, and are articulated around a shared Postgraduate Day, which will be held on the 5th December. Scholars are invited, in a profoundly interdisciplinary manner, to participate in either or both conferences.

For further information, or if you have any query about the conferences, please visit https://sljresearch.net.au/lawinendtimes/

Southern Cross University School of Law and Justice, in partnership with the Law, Literature and the Humanities Association of Australasia (LLHAA), is proud to convene and organise the 2019 LLHAA conference titled JurisApocalypse Now! Law in End Times, which will be held at Southern Cross University Gold Coast Campus on 2-4 December 2019.

The conference will explore the intersection of legality, temporality and eschatology, the normatively uncertain and yet inherently creative space originated by the conflicting encounter between the orderly desire of law and the entropic tendency of apocalyptic narratives, with both forces cast against the backdrop of the ever-­deferred notion of time itself.

Furthermore, the conference is organised in conjunction with the 2019 Law and Society Association of Australia and New Zealand (LSAANZ) conference, titled Survive, Thrive, Die: Law in End Times, which will be held on 5-7 December 2019, still at Southern Cross University Gold Coast Campus. The two conferences, although distinct and separate, are nonetheless connected by a shared overarching theme, and are articulated around a shared Postgraduate Day, which will be held on the 5th December. Scholars are invited, in a profoundly interdisciplinary manner, to participate in either or both conferences.

For further information, or if you have any query about the conferences, please visit https://sljresearch.net.au/lawinendtimes/

CALL FOR ABSTRACTS
Submission deadline: 31 July 2019

The Organising Committee invites the submission of abstracts of original work. Abstracts can be submitted for consideration for an oral presentation or a hard copy poster.
The Organising Committee will endeavour to notify presenters whether their proposed paper has been accepted at the beginning of each month following the abstract’s submission.

Submissions can be made using the following link:

November 14, 2018

Call For Proposals: Conference on Literature, Law, and Psychoanalysis, 1890-1950, University of Sheffield, April 11-13, 2019


Literature, Law and Psychoanalysis, 1890-1950

A conference at the University of Sheffield, April 11-13, 2019
The twentieth-century was a period of worldwide literary experiment, of scientific developments and of worldwide conflict. These changes demanded a rethinking not merely of psychological subjectivity, but also of what it meant to be subject to the law and to punishment. This two-day conference aims to explore relationships between literature, law and psychoanalysis during the period 1890-1950, allowing productive mixing of canonical and popular literature and also encouraging interdisciplinary conversations between different fields of study.

The period examined by the conference included: developments in Freudian psychoanalysis and its branching in other directions; the founding of criminology; continuing campaigns and reforms around the death penalty; landmark modernist publications; the ‘Golden Age’ of detective fiction; and multiple sensational trials (Wilde, Crippen, Casement, Leopold and Loeb, to name but a few). Freud’s followers, like Theodor Reik and Hans Sachs, would publish work on criminal law and the death penalty; psychoanalysts were sought after as expert witnesses; novelists like Elizabeth Bowen would serve on a Royal Commission investigating capital punishment; while Gladys Mitchell invented the character of Beatrice Adela Lestrange Bradley as a literary detective-psychoanalyst.

We therefore hope to consider areas including literature’s connection with historical debates around crime and punishment; literature and authors on trial and/or on the ‘psychiatrist’s couch’;and literature’s effect on debates about human rights. The event is linked to and partly supported by an AHRC project on literature, psychoanalysis and the death penalty, but the aim of this conference is much wider. Interdisciplinary approaches, especially from fields such as psychoanalysis, philosophy, law or the visual arts, are particularly encouraged. We also welcome papers on international legal systems and texts. All responses are welcome and the scope of our interdisciplinary interests is flexible, with room in the planned programme for strands of work that might be more or less literary.


Possible topics might include:

psychoanalysis in the real or literary courtroom;
literary form and the insanity defence;
canonical authors as readers of crime fiction and vice versa;
censorship cases;
the influence of famous legal cases on literary productions or on psychoanalytic theory;
influences of criminology and criminal psychology on literature;
representations of new execution methods (for example, the gas chamber and the electric chair);
portrayals of restorative versus retributive justice;
literary responses to the Universal Declaration of Human Rights;
relationships between modernism and Critical Legal Studies (CLS).

Please send 250 word paper proposals or 300 word proposals for fully formed panels to Dr Katherine Ebury at llitlawpsy2019@gmail.com by 28th November 2018. 

See the website for more information: https://litlawpsy2019.wordpress.com/cfp/

October 21, 2018

Conference on the Bible in Crime Fiction and Drama, January 8, 2019, University of Edinburgh @EdinburghUni

The Bible in Crime Fiction and Drama: Day Conference, at the University of Edinburgh

Date of Event
8th January 2019
Last Booking Date for this Event
4th January 2019
Places Available
46
Description
The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. This conference explores the issues raised by the forthcoming volume, The Bible in Crime Fiction and Drama (Bloomsbury Press, 2019), which brings together multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day.

October 18, 2018

Extended Deadline: ASLCH CFP October 24, 2018 @Law_Cult_Huma

Association for the Study of Law, Culture, and the Humanities: Call for Proposals



Extended Deadline

We are pleased to announce that the Twenty-Second Annual Meeting of the Association for the Study of Law, Culture and the Humanities will be held at Carleton University, Ottawa, Canada on March 22-23, 2019. The event is co-sponsored by The Pauline Jewett Institute of Women’s and Gender Studies, Carleton University and the University of Ottawa. Information regarding the pre-conference Graduate Student Workshop will follow shortly.

We welcome quality proposals on any topic related to law and legal studies. We warmly welcome proposals on all topics, and are particularly interested in proposals addressing the intersections between gender, sexuality, race and law.
Individual proposals should include title and an abstract of no more than 250 words.
We also welcome proposals for panels, roundtables, and streams (two panels on one theme). Panels should include three papers (or, exceptionally, four papers). Specify a title and a chair of your panel. The panel chair may also be a panel presenter. It is not necessary to write an abstract or proposal for the panel itself. To indicate your pre-constituted panel, roundtable, or stream, please ensure that individual registrants provide the name of the panel and the chair in their individual submissions on the registration site. All panel, roundtable, or stream participants must make an individual submission on the registration site.  
Notifications will be sent by mid-December, 2018.
The fees for participation in the Conference, which include membership to the Association, will be:
·      Graduate students and post-doctoral scholars: $35
            • Income less than $75,000: $125
            • Income between $75,000-$99,999: $155
            • Income between $100,000-$124,999: $210
            • Income $125,000 and over: $260
The Association for the Study of Law, Culture and the Humanities is an organization of scholars engaged in interdisciplinary, humanistically-oriented legal scholarship. The Association brings together a wide range of people engaged in scholarship on legal history, legal theory and jurisprudence, political, law and cultural studies, law and anthropology, law and literature, law and the performing arts, and legal hermeneutics. We want to encourage dialogue across and among these fields about issues of interpretation, identity, and values, about authority, obligation, and justice, and about law's role as a constituent part of cultures and communities. If you have any general questions about the conference, please do not hesitate to contact us law.culture.humanities@gmail.com

CFP: Television Drama, Law, and National Identity, Symposium at Centre for Law, Society, Popular Culture, Westminster Law School, September 6, 2019 @@UW_WLS ‏


Centre for Law, Society and Popular Culture
Westminster Law School

Television drama, law and national identity

Symposium Announcement and First Call for Papers

Friday 6 September 2019
University of Westminster

Television drama plays a seminal role in the cultural life of nations, and the way in which it depicts national identities merits scholarly exploration.  In this regard national identity’s relationship with law as its crystallisation is particularly worthy of academic attention and lends itself to interdisciplinary and comparative perspectives.  Police, crime, justice and dystopian dramas frequently place law and social attitudes to law centre-stage in the delineation of national identity. 

Television drama may be perceived as a communicative event in which history is transformed into myth through a stylised set of codes.  The transmission of coded messages about national identity, and their interpretation (both hegemonic and oppositional) become particularly worthy of analysis as the nation comes under strain through patterns of globalised and regional integration coupled with acts of national resistance.  Multiple genres of television drama provide scope for the expression of national identity, including the use by period dramas of creative nostalgia to represent the contemporary nation or the warnings to the nation posed by science fiction television.  In all contexts the interplay between projections of national identity and television’s treatment of race, class and gender warrants critical scrutiny.  

Proposals for 20-minute papers are therefore invited for a symposium on 6 September 2019, to be held in the University of Westminster’s historic Regent Street building just metres away from BBC headquarters.  Possible subjects for papers might include, but are by no means limited to:
  • is national identity empirical or normative in television drama?
  • internet/social media amplification of debates on TV drama, law and identity
  • national identity on television as ideology
  • depictions of trials and national identity
  • national security dramas: ‘war against terrorism’, identity and law(lessness)
  • political dramas: uniform global elite or national diversity?
  • fan responses to the portrayal of the nation
  • globalisation/globalised law – depicted as threat to national identity?
  • feminist crime drama and national identity
  • science fiction or dystopian fiction, law and national identity
  • ‘heritage’ drama: commodification of (rose-tinted) ideas of national identity for global consumption?
Abstracts should be 250 words in length, accompanied by a 100-word biography of the author, and sent to nicold@wmin.ac.uk by the deadline of 1 February 2019.

Via @Doubledegree

September 20, 2018

CFP, Deadline October 15, 2018: Art as Cultural Diplomacy, November 23-24, 2018

Call for Papers for the Panel:
Art as Cultural Diplomacy
As part of
7th Euroacademia Forum of Critical Studies: Asking Big Questions Again
23 – 24 November 2018
Nice, Côte d’Azur, France
Deadline for Paper Proposals: 15th of October 2018

Panel Organizer: Cassandra Sciortino, University of California, Santa Barbara

Panel Description

The panel Art as Cultural Diplomacy seeks papers that explore the function of art (in its broadest definition) as an instrument of cultural diplomacy by the state and, especially, by nongovernmental actors. The main theme of the session is the question of art and diplomacy in Europe before and after the fall of the Berlin Wall. This focus however does not limit the thematic  universe of papers to be included in the panel to Europe. Papers are welcome which explore issues related to the role of art, diplomacy and the politicization of Europe, as are those which consider how the arts have pursued or resisted East-West dichotomies and other narratives of alterity in Europe and worldwide. The panel seeks to combine a wide range of interdisciplinary perspectives to explore how art -its various practices, history, and theory - are an important area of inquiry in the expanding field of cultural diplomacy. Papers addressing the role of art in consolidating soft power of states are welcome together with contributions addressing the role of art as cultural diplomacy in the context of significant historical political events.

Some examples of topics include
•       How can art serve as a neutral platform for exchange to promote dialogue and understanding between foreign states?
•       How can art, including organized festivals (i.e. film, art, music.), cultivate transnational identities that undermine political dichotomies and narratives of alterity making in international relations?
•       The implications for art as an instrument of diplomacy in a postmodern age where geopolitics and power are increasingly mobilized by image based structures of persuasion.
•       How has/can art facilitate cohesion between European Union member states and candidate states that effectively responds to the EU’s efforts to create “unity in diversity.”
•       The politics of mapping the world: mental and cartographic
•       Community based art as a social practice to engage issues of political identity
•       The difference between art as cultural diplomacy and propaganda
•       The digital revolution and the emergence of social media as platforms for art to communicate across social, cultural, and national boundaries?
•       Diplomacy in the history of art in Europe
•       Artists as diplomats
•       Art history as diplomacy--exhibitions, post-colonial criticism, global art history, and other revisions to the conventional boundaries of Europe and its history of art
•       The international activity of cultural institutes
•       Art as cultural resistance in non-democratic regimes
•       Art as instrument of international promotion
•       Art as instrument of social change and democratization
•       Art, social movements and protest
•       The critical function of art in cultural diplomacy


Please apply on-line using the electronic form on the conference website or submit by e-mail a titled abstracts of less than 300  words together with the details of your affiliation until 15th of October 2018 to application@euroacademia.org

If you are interested to apply, please see complete information about the conference and details for applicants at:
http://euroacademia.eu/conference/7fcs/