Showing posts with label Macbeth. Show all posts
Showing posts with label Macbeth. Show all posts

October 25, 2018

Pershina on Metaphors of Crime and Punishment in Shakespeare's "Macbeth" @UAHes

Marina A. Pershina, University of Alcala, has published Metaphors of Crime and Punishment in Shakespeare’s 'Macbeth'. Here is the abstract.
The aim of the article is to study the notions of crime and punishment in the Shakespeare’s tragedy “Macbeth”. It analyses the role of supernatural elements and metaphorical symbols as key components of the images of Macbeth and Lady Macbeth. Complex metaphors and poetic symbols go through the play’s plot. They follow the development of the characters’ inner struggle, reveal their intentions, and finally reflect their fall. Most symbols represent the supernatural dichotomy of the heaven (king Duncan’s virtues are compared to angels) and the hell (Macbeth is called a devil). Even the scenes of nature are depicted fantastically. The words of Hecate and the ‘weird sisters’ express the idea of existence in the external human world of something unknown that affects people’s internal motivation. At the end of the tragedy, metaphors in Macbeth’s soliloquies embody the themes of death, destruction, moral disintegration of the personality of the person who lost the meaning of life. The results of the research show that metaphors and symbolic elements are implied in the tragedy to create a psychological portrait of main characters. On the one hand, Shakespeare used them to show individuals. On the other hand, these characters become the collective images of sinners and righteous men.
Download the article from SSRN at the link.

October 25, 2012

A New Book On Justice and Injustice

New from Routledge



The Concept of Injustice
By Eric Heinze
Published October 24th 2012 by Routledge--218 pages

The Concept of Injustice challenges traditional Western justice theory. Thinkers from Plato and Aristotle through to Kant, Hegel, Marx and Rawls have subordinated the idea of injustice to the idea of justice. Misled by the word’s etymology, political theorists have assumed injustice to be the sheer, logical opposite of justice. Heinze summons ancient and early modern texts, philosophical and literary, with special attention to Shakespeare, to argue that injustice is not primarily the negation, failure or absence of justice. It is the constant product of regimes and norms of justice. Justice is not always the cure for injustice, and is often its cause.

April 14, 2011

Sleeping Not Advised

Punchdrunk, the innovative (and interactive) theater company, has brought a new version of Macbeth (that well-known Elizabethan murder fest) to New York's West 27th Street, renamed it "Sleep No More," and invited in the audience. Or perhaps one should say, "Sleep No More" is a derivative work, notes New York Times reviewer Ben Brantley, who describes it as "a largely wordless production...not without thought-churning aperçus. These have less to do with the comely dancers who act out the doomed paths of Macbeth and company than with those clumsy, anonymous lugs in white face masks who keep elbowing one another out of the way to get a better view of the sex and violence. That’s you and me, my fellow theatergoers." Yes, the audience is unmasked, and the players are sometimes, well, in the alltogether. Without masks, as it were.

Counsels Mr. Brantley, "An unimpaired sense of balance and depth perception is crucial to attending “Sleep No More,” which leads its audience on a merry, macabre chase up and down stairs, and through minimally illuminated, furniture-cluttered rooms and corridors. The creative team here has taken on the duties of messing with your head, which they do just as thoroughly as any artificial stimulant." More here from his piece (subscription may be required).