Call
for Papers
By
Any Other’s Name: A Conference on Law, Authorship, and Appropriation
Louisiana
State University, Baton Rouge, LA
October
28-29, 2016
On October 28-29, 2016, the LSU College of Music and Dramatic Arts, LSU School of Theatre, the LSU Law Center, LSU's ORED (Office of Research and Economic Development) and the Law and Humanities Institute
will co-sponsor a conference on law, authorship, and appropriation on the LSU A and M
campus in Baton Rouge, LA. This conference will bring together scholars, performers, and students
to discuss law and authorship in the face of challenges issued by artists who
engage in appropriation—the practice of taking the works of others to rethink
or recreate new works.
Some artists who engage in appropriation may
describe their activities as parody, sampling, or remixing. Some artists whose
work is appropriated may describe the result as misappropriation. Writers might
describe the use or reuse of words variously as hommage or plagiarism. Lawyers
weigh in both sides of the issue, interpreting such reuse as fair use or
infringement, depending on the circumstances.
Digital technology creates a host of new
considerations, from the opportunity for a creator to license rights up-front
(or not at all) to opportunities for users to create content cooperatively,
either on the Web or in face-to-face settings.
What do such changes, in law and in aesthetics and
art, mean for our understandings of authorship and the relationship between
creator and audience? Do words like “author” and “creator” even continue to
have meaning?
General
areas for possible paper topics include, but are not limited to:
Appropriation, theft, or something else
Cultural appropriation
Defenses to copyright infringement
Digital sampling and the law
Fair use and specific forms of artistic expression
(parody, fan fiction, other)
History and concept of authorship
Plagiarism and originality in creation
Wearable technology and IP
We encourage proposals that engage all geographic
areas and historical periods.
Together scholars and performers in the areas of
free speech, copyright, and the arts to examine conflicts that arise between
traditional creators of content and artists who use and/or re-use existing
content to remake, remix and develop new works. In addition, the event will
begin to examine some ways that the academy and the professions can educate
young artists, attorneys, and students to understand these issues.
The conference will provide opportunities for discussion,
student engagement, and active learning with leading scholars and professionals
in the industry in the areas of freedom of expression, intellectual property
law, and the creative and performing arts. We also envision opportunities for
performances that demonstrate some of the ways artists work proactively and
thoughtfully in these areas.
To that end participants should be willing to engage
with attendees in break-out and discussion sessions.
Performers are encouraged to submit proposals. If
your proposal includes a performance, please indicate what kind in the
abstract.
Paper
Submission Information
Please send abstracts of no more than 500 words in
PDF or Word format to Christine Corcos at christine.corcos@law.lsu.edu
or Kristin Sosnowsky at ksosno1@lsu.edu by
June 8, 2016. We will make decisions by June 20th, 2016.
Some funding is available for successful applicants.
Panelists will have the option to offer completed papers for inclusion in a
peer-reviewed conference volume.
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