Fictional barrister-at-law Horace Rumpole is a skillful, tenacious, and even fearsome courtroom advocate for his criminal defense clients. He cares deeply about winning. But Rumpole departs from the stereotypical heroes and antiheroes of fictional courtroom drama in that he typically complies fully with the ethical constraints on advocacy and the truth-finding process. When Rumpole does occasionally stumble, it is in the other direction: by losing track of his client, and presenting often unwanted truths to elevate victory above other needs or interests that the client considers just as, or sometimes much more, important than a favorable verdict. Using several of John Mortimer’s Rumpole of the Bailey short stories to illustrate, this Article explores the sometimes-awkward interaction of the client’s right to control decisions about the objectives of a legal representation, with the lawyer’s duty to make decisions about the means. The Article tries to show how this interaction surfaces client self-determination as a positive, if not always properly-appreciated, principle of justice in our legal system, and closes with a discussion of lessons the Rumpole stories may have for so-called movement lawyering.Download the article from SSRN at the link.
For more on Rumpole and law and literature, see
Paul Bergman, Rumpole's Ethics, 1 Berkeley J. Ent. & Sports L. 117 (2012).
Christine A. Corcos, Law and Silence in the Legal Drama: Rumpole of the Bailey, 1 Compar(a)ison 145 (2003).
John A. Flood, Rake and Rumpole: Mavericks for Justice--Purity and Impuity in Legal Professionalism, in Law, Lawyers, and Justice: Through Australian Lenses 17.
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