November 4, 2024

ICYMI: The Cabinet of Imaginary Laws (Routledge Publishing, 2021) @routledgebooks

ICYMI: The Cabinet of Imaginary Laws: (Peter Goodrich and Thanos Zartaloudis, eds., Routledge, 2021) (Discourses of Law). Here from the publisher's website is a description of the book's contents.
Returning to the map of the island of utopia, this book provides a contemporary, inventive, addition to the long history of legal fictions and juristic phantasms. Progressive legal and political thinking has for long lacked a positive, let alone a bold imaginary project, an account of what improved institutions and an ameliorated environment would look like. And where better to start than with the non-laws or imaginary legislations of a realm yet to come. The Cabinet of Imaginary Laws is a collection of fictive contributions to the theme of conceiving imaginary laws in the vivid vein of jurisliterary invention. Disparate in style and diverse in genres of writing and performative expression, the celebrated and unknown, venerable and youthful authors write new laws. Thirty-five dissolute scholars, impecunious authors and dyspeptic artists from a variety of fields including law, film, science, history, philosophy, political science, aesthetics, architecture and the classics become, for a brief and inspiring instance, legislators of impossible norms. The collection provides an extra-ordinary range of inspired imaginings of other laws. This momentary community of radial thought conceives of a wild variety of novel critical perspectives. The contributions aim to inspire reflection on the role of imagination in the study and writing of law. Verse, collage, artworks, short stories, harangues, lists, and other pleas, reports and pronouncements revivify the sense of law as the vehicle of poetic justice and as an art that instructs and constructs life. Aimed at an intellectual audience disgruntled with the negativity of critique and the narrowness of the disciplines, this book will appeal especially to theorists, lawyers, scholars and a general public concerned with the future of decaying laws and an increasingly derelict legal system.

Sciullo on Defending Critical Race Theory @nickjsciullo

Nick J. Sciullo, Texas A&M University, has published Defending Critical Race Theory. Here is the abstract.
Recent attacks on Critical Race Theory (CRT) have caused wide-ranging discussions about CRT in a diverse number of disciplines, throughout all grade levels, and around the world in media. While CRT adherents have long wished for more engagement with CRT, the recent firestorm of attacks has been surprising at best, and horribly worrisome and frightening at worst. Efforts to ban CRT in schools, while likely not having much effect given the improbability that CRT is taught in any K-12 schools, have politicized CRT in new ways (though like all education, it was always political). Moreover, this engagement is clearly not in ways that many of us writing in or about this tradition imagined, yet the increasing politicization of CRT has raised interest in the theory well beyond the colleges, universities, and graduate and professional schools where it was, at best, occasionally taught. Arguably, conservatives created a debate where there is none and was none. Or, as Donald Earl Collins puts it, this is a discussion not about CRT, but rather about “critical race fact.” This Article sets out to defend CRT from the criticisms levied by conservative and Republican politicians in the United States as well as other pundits and pontificators. These criticisms have always existed, but they have now been taken up in popular media in a confusing menagerie of political fervor. Of course, the criticisms of CRT are almost always based on a misunderstanding of the idea. Each Part below takes up a different criticism and presents evidence that the criticism is simply not true by using both what critical race theorists have written, as well as what others who have experience teaching it in the United States’ schools, colleges, and universities have claimed. It is possible, one supposes, that the country’s alleged critical-race-teaching kindergarten teachers are covertly inserting CRT into our five-year-olds’ lessons on colors, but this seems unlikely.
Download the article from SSRN at the link.

Law, Culture, and the Humanities Conference, 2025: Call For Papers @Law_Cult_Huma

Call For Papers: Law, Culture, and the Humanities Conference, 2025
Every year, the Association holds it annual conference, usually a two-day affair, as well as a graduate student workshop, usually held on the day before the annual conference. The 2025 annual meeting will be held at Georgetown Law from June 17-18th. The theme of the conference, our call for papers, and submissions guidelines can be found below:

 

Speech Matters We live in a golden or an iron age, depending on one’s point of view, for laws regulating speech. The COVID-19 pandemic forced governments around the world to reckon with floods of dis- and misinformation. The global rise of the far right has brought with it a need for new legal tools to combat threats, harassment, and hate speech. And in the United States, state and local governments have attempted to suppress speech by or about unpopular subjects through means ranging from book bans to felony prosecutions. For this year’s Law, Culture, and Humanities Annual Conference, we invite papers on how the law conceptualizes, regulates, commodifies, or instrumentalizes speech (broadly defined not just as language but as expressive activity). In particular, we welcome papers that use humanistic tools for making sense of speech and expression—concepts from rhetoric, narrative theory, aesthetics, genre studies, and more—to tackle new or persistent legal puzzles.

 

Submission Guidelines We encourage the submission of fully constituted panels, as well as panels that reimagine or experiment with models for academic presentation, such as roundtables, author meet reader sessions (which may include multiple books and their authors in conversation), collaborative presentations, multi-panel streams, etc. Individual proposals should include a title and an abstract of no more than 250 words. Please note that online presenters should organize a full panel (we will not be accepting individual papers for online presentations this year) and that, though we traditionally accept most papers, we may need to limit the number of online panels we accept, depending on demand. Panels, whether virtual or in-person, should include three papers (or, exceptionally, four papers). Please specify a title and designate a chair for your panel. The panel chair may also be a panel presenter. It is not necessary to write an abstract or proposal for the panel itself. To indicate your pre-constituted panel, roundtable, or stream, please ensure that individual registrants provide the name of the panel and the chair in their individual submissions on the registration site. All panel, roundtable, or stream participants must make an individual submission on the registration site. When submitting a proposal, we also ask that registrants identify two keywords to help us align sessions with each other.

 

Mode The twenty-seventh annual conference will emphasize the LCH tradition of in-person conversation. While we encourage participants to join us in Washington, D.C., we recognize that in-person attendance may be prohibitive for some. To that end, we will also accept the submission of virtual panels. Since we will not be providing technical support for virtual participants, panel chairs will be responsible for providing Zoom links that will be listed in the program. All plenary sessions will be available streaming online as well as in person.

 

How to Submit? Submissions may be made through our website: https://lawculturehumanities.com/event/2025-twenty-seventh-annual-confer...

 

Creating a Panel: Contact Our Graduate Coordinators Early While participants may submit individual paper proposals that the Program Committee will later combine into full panels, we strongly encourage applicants to create full panels prior to submission. Pre-formed panels may cohere better, and allow collaborators to craft focused scholarly exchanges. Panels comprising a diversity of institutions, academic ranks, disciplines, and identities are often the most rewarding. If you would like support in finding others who might be interested in forming a panel, please contact our Graduate Coordinators, Aditya Banerjee (adityabanerjee@g.harvard.edu) and Jack Quirk (john_quirk@brown.edu) with “LCH panel” in the subject line. The Graduate Coordinators will act as intermediaries, and may be able to put you in contact with others working on related topics. We especially encourage graduate students and those new to LCH to consider reaching out to the Graduate Coordinators if they’re struggling to identify potential co-panelists. Please contact them well before the submission deadline, to allow time for follow-up.

 

Submission Deadline The deadline for all conference submissions is January 31, 2025. Contact Information Please email lch@lawculturehumanities.com with any queries. categories

Call For Papers: Hugo and the Law, Maastricht University Faculty of Law, May 8, 2025

Call for Papers; Hugo and the Law, Maastricht University Faculty of Law, Masstricht, the Netherlands, May 8, 2025.

On the occasion of the 150th anniversary of the publication of the first volume of Actes et Paroles, the collection of Victor Hugo’s political speeches, the UM Law and Popular Culture Research Network organizes a Workshop on 8 May 2025 dedicated to the author’s conceptualization of several legal issues. The Workshop will take place at the Faculty of Law of Maastricht University (The Netherlands), with a fully in-person program.

Goal and Background of the Workshop.  In his several works, Victor Hugo has often delved into profound perspectives into the relationship between humanity and the law. Hugo was not merely a renowned novelist but a visionary thinker who engaged with multiple societal issues, including the intricacies of the legal system, the condition of women, the rise of socialism, and the future of Europe. On the 150th anniversary of the publication of Actes et Paroles – which perfectly captures such themes– this Workshop aims to examine Hugo’s conception of the law.

Hugo’s conception of the law is multifaceted, encompassing both its theoretical foundations and its practical implications. His writings often reflect a deep concern for the struggle for power and the ethical responsibilities of institutions. Through an examination of Hugo’s literary corpus, the Workshop will explore how his books’ characters grapple with the complexities of law and its impact on individuals and society. One key aspect of the Workshop is Hugo’s emphasis on the moral dimension of the law. His characters navigate questions of morality, duty, and conscience by their interactions with legal systems. At the same time, the Workshop will address Hugo’s critique of the legal machinery, shedding light on his observations regarding the potential for injustice and the abuse of power. Furthermore, this Workshop will investigate the historical context in which Hugo lived and wrote, considering the political and social upheavals that influenced his views on the law. From the aftermath of the French Revolution to the establishment of the Second French Republic, through the rise and fall of the Empire of Napoleon III, until the experience of the Commune, Hugo’s observations of the evolving legal landscape are integral to understanding his perspective on the nature of power, the State and the foundations of Europe, and the condition of women.

By examining the philosophical, historical, and theoretical underpinnings and practical implications of Hugo’s thoughts on law, the Workshop aims to illuminate the enduring relevance of his insights and their potential to inspire contemporary discussions on law and justice.

Abstract Submissions.  The “Hugo and the Law” Workshop will feature panel sessions. Submissions should relate to the overarching theme of the Workshop.

Submissions should indicate the title of the contribution, an abstract (max. 400 words), and the contact information and a short biography of the speaker (max. 150 words). Fully written papers are not required. We encourage submissions in English, and co-authored papers will be also considered.

Who Can Participate in this Workshop?
  The “Hugo and the Law” Workshop is not restricted to lawyers. We welcome proposals that offer multi-disciplinary perspectives from various areas of law (including civil, criminal, tax, and labor law), as well as from scholars in e.g. the humanities and other social sciences (e.g. history, economics, political science, sociology) with an interest in the Workshop’s theme. We welcome submissions from senior and junior scholars (including doctoral students) and interested practitioners.

How and When to Submit?  Send your submission to agustin.parise@maastrichtuniversity.nl.  The Call for Papers closes on 22 December 2024. Shortly after that, the authors will be informed whether their papers are selected for a presentation during the Workshop.

Conference Organizing Committee.  Should you have any questions please do not hesitate to contact a member of the Workshop Organizing Committee:

Eline Couperus(e.couperus@maastrichtuniversity.nl)
Agustín Parise (agustin.parise@maastrichtuniversity.nl)
Franco Peirone (franco.peirone@maastrichtuniversity.nl)
Livia Solaro (l.solaro@maastrichtuniversity.nl)
Arthur Willemse (arthur.willemse@maastrichtuniversity.nl)

November 2, 2024

ICYMI: Dees on Great Trials and the Law in the Historical Imagination @routledgebooks

ICYMI: Russell L. Dees, University of Copenhagen, Denmark, has published Great Trials and the Law in the Historical Imagination: A Law and Humanities Approach (Routledge, 2024). Here from the publisher's website is a description of the book's contents.
Great Trials and the Law in the Historical Imagination: A Law and Humanities Approach introduces readers to the history of law and issues in historical, legal, and artistic interpretation by examining six well-known historical trials through works of art that portray them. Great Trials provides readers with an accessible, non-dogmatic introduction to the interdisciplinary ‘law and humanities’ approach to law, legal history, and legal interpretation. By examining how six famous/notorious trials in Western history have been portrayed in six major works of art, the book shows how issues of legal, historical, and artistic interpretation can become intertwined: the different ways we embed law in narrative, how we bring conscious and subconscious conceptions of history to our interpretation of law, and how aesthetic predilections and moral commitments to the law may influence our views of history. The book studies well-known depictions of the trials of Socrates, Cicero, Jesus, Thomas More, the Salem ‘witches’, and John Scopes and provides innovative analyses of those works. The epilogue examines how historical methodology and historical imagination are crucial to both our understanding of the law and our aesthetic choices through various readings of Harper Lee’s beloved character, Atticus Finch. The first book to employ a ‘law and humanities’ approach to delve into the institution of the trial, and what it means in different legal systems at different historical times, this book will appeal to academics, students and others with interests in legal history, law and popular culture and law and the humanities.