Michael Kimmelman
examines the popular German police drama Tatort (Crime Scene) for the New York Times here. Notes Mr. Kimmelman,
“Tatort” is a little akin to what Johnny Carson's “Tonight Show” was in America. It’s one of those modest pop-culture symbols and long-standing common experiences that can be hard for outsiders to translate but that speak to, and of, a nation. First broadcast in 1970, before video games or food processors and when Germany seemed permanently split in two, the show adopted the age-old formula of a pair of detectives solving a murder to devise a distinctly German version of the crime drama.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.